A Quote by Evan Dando
A lot of what you do is about how you look. You're a good-looking guy who plays music, and you can't do anything about what happens because of that. If people say, "He's cute. I'm going to go buy his album," hopefully they'll like the music, too.
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Music is what is going to save me," "On the bad days, when I have to look at the cold, hard facts of life, I see that this is not the music business I came up in and I have to be very, very objective and detached and say, 'what's good about it and what's bad about it?' Mostly, I'm finding it good that it's not the same old music business, because the music business I came up in really didn't advance anything I was doing, and I don't think it was particularly kind to a lot of artists.
When I was in London I found house music and techno, and I love that s - t. It's my go-to music. It's the closest for me to the old funk of James Brown and the repetitive dance music that I like from the soul music. I'd love to do a live album, like a little bit old school but still progressive, influenced maybe by more electronic music. I like everything, but I don't know anything about music. So it comes in to a lot of different ingredients.
Cute's good. But cute only lasts for so long, and then it's, 'Who are you as a person?' Look at the heart. Look at the soul. Look at how the guy treats his mother and what he says about women. How he acts with children he doesn't know. And, more important, how does he treat you?
I always say this about my music, and music in general: Music is like a time capsule. Each album reflects what I'm going through or what's going on in my life at that moment.
There is a terrible thing that's been happening probably for the last 20 years or so and it's called the music business. And music isn't really business; it's work and you got to pay and you've got to buy your guitar or go into the studio. So there is a business side but when people say, "I'm going into the music business," it's not. It's about expression. It's about creativity. You don't join music, in my mind, to make money. You join it because it's in you; it's in your blood stream.
There's nothing like getting feedback that's positive and supportive. That's what I'm all about. I'm really just genuinely doing good music. I'm not looking to be on the cover of magazines and I'm not in it for the fame. I'm not in it for selling or the biggest Pop song in the world. I have to go for critically acclaimed. I'd rather go for my peers that I look up to say "I listen to her record." I'd rather do a small little touring venue that has two people who support me as opposed to thousands of people. I mean if it happens, it happens but I'm doing it for me.
I like to make music because I've been making music since I was 7. I can get across the things that I want to say in my music so that I don't have to say anything. I don't have to speak out about the things I believe; I can say them in my music.
What I love about music, when you can look at something and be like, "Wow, what's this all about?" You can't really picture what these people look like - is it one guy, or a band making music in a garage?
I wrote a post about wanting to buy a banjo - a $300 banjo, which is a lot of money, and I don't play instruments; I don't know anything about music. I like music, and I like banjos, and I think I probably heard Steve Martin playing, and I said, 'I could do that.' And I said to my husband, I said, 'Ben, can I buy a banjo?' And he's like, 'No.'
I want people to look at themselves. I want people to go into a space for meditation. It's funny to use a word like meditation as the music is fairly brutal but there is a hypnotic element to it and the way that I try and create that for someone just happens to be through a fairly heavy form of music. You are constantly barraged and beaten down with a lot of bullshit and I find that heavy and extreme music helps me to go into a very tranquil place and I hope, more than anything, that the music does create a space for people to go inward with.
A lot of people would say "well that's not a bad reputation. you sound like a pussy" and I would say yea. but I am passionate about music and being taken seriously about my music, so if you're going to mess with that, we have a problem.
Growing up as a classical musician, you're taught a lot about outreach and about how people aren't being taught music in school. But you don't have to study music to like it. And a lot of the music that people like - be it jazz or rock or opera - is stuff they haven't studied.
A lot of people are like, "How are you going to re-do it?" I'm not worried about what people are going to say because you know people are gonna be like, "It doesn't sound like this... It sounds like this." I'm just going to make music that I know I'm supposed to make.
To a degree, rock fans like to live vicariously and they like that, music fans in general, but when indie music sort of came into prominence in the early '90s, a lot of it was TV-driven, too, where if you saw the first Nirvana video, you're looking at three guys that look like people you go to school with.
[ Lenny Kravitz] is really handsome, and I know I should be objective and think about his music, but up close, he is a really good-looking guy. He was hugging me while I was trying to go to a video, and I completely... You turn into a giddy girl, and it was just horrifying, because he really smelled good, and just the whole package... It's just too much.
People always say, 'There are plenty of black country artists out there! There is Charley Pride! Darius Rucker!' That's all they can name. They don't understand what we go through, and a lot of people who are fans of traditional country music, as they call it, look at us and aren't going to say, 'Y'all like country music.'
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