A Quote by Evan Dando
Some of our stuff ends up looking too corporate. I'm going to be a lot stricter from now on.
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Part of the failure of the corporate media is that they don't dig out stories anymore. They are looking down from the top floors. Media work used to be something that was down on the ground level. Now they are looking out of the windows in the top suites, and they don't know what's going on out there. And then there are the corporate owners who don't want this stuff reported because if one town learns that the next town has defeated Wal-Mart or stopped sweatshop goods, then other towns are going to want to do the same thing.
It's interesting, because in the corporate stuff there's a dichotomy there, depending on the creator. Even what, in essence, may be a very safe corporate approach, there is some stuff that is allowed to be pushed.
It's interesting, because in the corporate stuff there's a dichotomy there, depending on the creator. Even what, in essence, may be a very safe corporate approach, there is some stuff that is allowed to be pushed
I've always been on the outside of all that political stuff so I just sort of watch it and I'm appalled and I think people should be screaming about a lot of things right now and they're not. They're just letting everything happen. I don't know. At some point the wheels are going to come off and we're going to have a real problem. The people are going to get angry and it's going to be too late.
It's time to use the antitrust laws and to break up this conglomerate corporate media that has now poisoned our democracy to the point that our very survival is at risk for the kinds of monstrosities that are flourishing in our corporate media dominated discussion.
In Jamaica, them always have throwback riddims, recycled old beats, and the hardcore reggae scene is always present. You have faster stuff like the more commercialized stuff, but you always have that segment of music that is always from the core, from the original root of it. This year, you have seen a lot of it explode on the international scene. It's great. People are looking for something different. Maybe there was too much of one thing, and now they're looking for something fresh.
If you turn on the TV, you're going to get a certain palate, and if you go looking underneath the surface, there's a whole lot of stuff there that I think a lot of our generation would be really interested in.
We always joke now like, you know, the more experienced we get making stuff, we're like, "Never leave set without a shot of each of our lead characters driving in the car looking happy, looking moderately blank and looking sad." Because we know we're going to need these things.
I guess we all have a bad night now and then and really screw up. I listened to our earlier stuff and we screwed up a lot. But at least now that we are sober, when we screw up it's for real.
I don't get a lot of writer's block, because it's all based on research. I just start looking through my notes, and I can write garbage for days - I mean, some of it ends up being good.
Cameras are dangerous. With no waiting period or background check, any whack-job could just stroll into a Wal-Mart and walk out with a semi-automatic. Now, for years I've been pressing for stricter regulations on cameras, especially around our elected officials. Too many political lives have been cut short by some crazed shooter.
Mostly I listen to old-time music, some bluegrass, some Americana stuff, too many to name. But of the younger acts, there are The Freight Hoppers, who were big in the '90s, and The Foghorn Stringband from Oregon, and there's a lot of young string bands coming up now, basically punkers who play acoustic instruments forming new bands.
When you don't talk, there's a lot of stuff that ends up not getting said.
I want to know if I look up a whole lot of books about some form of cancer that that's not going to get to my insurance company and I'm going to find my insurance premium is going to go up by 5% because they've figured I'm looking at those books.
There are a lot of movies out there that I would hate to be paid to do, some real demeaning, real woman-denigrating stuff. It is up to women to change their roles. They are going to have to write the stuff and do it. And they will.
Everyone told me, "Don't ever talk about international stuff," and "Don't do long-form content online," and "Don't get too serious in news," and "Don't be too heavy" - all this stuff, all the rules. But we broke the rules, and that, ironically, has led to some of our most successful stuff.
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