A Quote by Evan Davis
Historically, the British have always been rather wary of grand engineering projects - perhaps understandably, given that many of them have been delivered late and over budget.
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Class has always been a staple of British comedy. We've always been able to laugh at it. When British shows are translated to America, the absence of the equivalent class structure there often causes them to fail. But over here we've always got comic mileage out of it.
I want to push the boundaries on the roles that have historically been given to actresses who look like me. There is so much more we can do. There always has been.
For me, the scale of the budget is part of the creative process. 'Swingers' is the movie it is because we made it for exactly the right budget. Had it been made for a higher number, it would not have been as imaginative as we had to make it, given the budget constraints we had.
My dad owns a company that lends equipment to industrial projects. I've been obsessed with taking it over since I could talk. I'd follow him and repeat conversations about how many tons of cranes were arriving. He said it was a man's world, so I studied electrical engineering because it was related.
We live, understandably enough, with the sense of urgency; our clock, like Baudelaire's, has had the hands removed and bears the legend, "It is later than you think." But with us it is always a little too late for mind, yet never too late for honest stupidity; always a little too late for understanding, never too late for righteous, bewildered wrath; always too late for thought, never too late for naïve moralizing. We seem to like to condemn our finest but not our worst qualities by pitting them against the exigency of time.
I suppose the reason I chose electrical engineering was because I had always been interested in electricity, involving myself in such projects as building radios from the time I was a child.
I've certainly had a bad attitude to my job on many occasions. Not since 'Four Weddings and a Funeral'. I've been rather a good boy and really given it everything when I've accepted a part since then, because I've been given much better parts in films.
I've been always clear that I wouldn't do TV soaps just for the sake of doing them. I would rather wait and work on projects which enable me to make an impact.
My mother has always rooted for the underdog, so to speak. She has always been in support of uplifting historically marginalized and historically disenfranchised people.
When you've been brought up in variety, I think timing is always important in your life. If I'm ever late for anything, whether it's personal or business, I always apologise. 'I'm sorry I'm late,' and all that. And if somebody is late meeting me, I expect them to say 'I'm sorry I'm late.' It's just, shall we say, showbiz etiquette of my day.
The people who want to be segregated are part of a different generation, and they have lived their lives. They are the stakeholders and guardians of the culture. Historically, the British tried to erase them from their land, but they survived. They survived the non-acceptance of the government, so they have always been very secretive. They have created a barrier, which they don't want to lose.
If you look at the developments in the international scene over the past many years, we haven't been able to resolve many problems and many crises, because we have approached them from a zero-sum perspective. My gain has always been defined as somebody else's loss, and through that, we never resolve problems.
Religious communities have historically been designed to counteract the forces of alienation. That's why so many successful social movements have relied upon the strength of spiritual communities and a large base of their organizing has been through them.
Governments have always been wary of the arts because they're wayward and ambiguous and because they deal with feelings rather than facts.
The psychological consequences of this spread of white culture have been out of all proportion to the materialistic. This world-wide cultural diffusion has protected us as man had never been protected before from having to take seriously the civilizations of other peoples; it has given to our culture a massive universality that we have long ceased to account for historically, and which we read off rather as necessary and inevitable.
Good speakers usually find when they finish that there have been four versions of the speech: the one they delivered, the one they prepared, the one the newspapers say was delivered, and the one on the way home they wish they had delivered.
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