I don't think my writing is sentimental, although it is a very sentimental thing to be a human being.
I think my movies aren't sentimental. I think my movies are funny and sad and realistic. Not realistic in the sense that they're documentaries, but realistic in the sense that they're not idealistic, they're not optimistic, not pessimistic, and not propagandistic. They're an analysis of a situation. I call it as I see it, so to speak.
I have always struggled with expressing emotion, I used to think I was a very hard person but music has shown me I'm a big softy! Writing songs to me really is like writing a diary, it's very private and very personal. My most emotional songs have been written alone in a locked room, I'm able to express myself there.
There was this kind of wackiness that was really embraced and put on a pedestal. It was before the millennium. We were envisioning a future that was mostly idealistic. I think that came crashing down a little bit in 9/11, or a lot. There is something about Portland that does seem to still exist in this total idealistic world and total idealistic mind frame, and I think that's what Dream of the '90s is talking about.
I was beaten by police and sat in their precinct holding cell, certain that my future was already decided. And now I will be the person in charge of that precinct, and every other precinct, because I'm going to be the mayor of the City of New York.
I think jewelry is beautiful on all women and I think it's sentimental - and Disney is sentimental. It's subtle and it's low-key and it's just a sweet reminder of sweetness.
For the most part, cops are decent and honorable, but that's how I know that there are bad cops, cops that you think you know so well.
People are not afraid to be very direct with police. And I think that's part of the problem is that people are angry at the cops and then the cops are stressed out and they, you know, pay it backwards, so to speak.
The kindest compliments I have ever heard are when cops tell me Training Day and Assault on Precinct 13 inspired them to become cops. The funniest compliments I have ever heard are when people tell me that 'I love your band Sugar Ray.
My novels are very much the same, as I think many people's novels are.
She said, 'Believe it or not, I used to be idealistic.' I asked her what 'idealistic' meant. 'It means you live by what you think is right.' 'You don't do that anymore?' 'There are questions I don't ask anymore.
When you think about the guys who started Twitter, and the Google guys, and the Facebook guys and the Napster guys, and the Microsoft guys, and the Dell guys and the Instagram guys, it's all guys. The girls, they're being left behind.
I think, at the end of the game, guys gotta trust themselves more. I think sometimes - not myself, but sometimes, guys - they look to Kobe too much.
I think women are very ambidextrous. We don't think twice about reading a book or a movie starring guys. But for guys, it's, like, 'Oh my God, that's a woman thing.' So with my son, I very carefully portion out the female heroes and characters to make sure he's getting an equal amount.
I'll be honest with you: I think that it's really difficult, this framing around 'good cops' and 'bad cops.' Policing, as a system, is incredibly corrupt, period.
I think probably I'm quite sentimental; I like big emotional stories, I like being moved by things, but I think I'm very embarrassed by sentiment. I'm very embarrassed by corniness.