A Quote by Evan Jacobs

The goal was to create a mood, an atmosphere, and I think we have achieved that. We wanted people to not only get in touch with this character but also with themselves [in Wyatt Earp and the Holy Grail].
[Wyatt Earp and the Holy Grail] it is a big story, which is why there are two more films coming, which will bring the total length of the series to 3 hours.
Wyatt Earp and the Holy Grail: The Tale of the Three Gates is a look at humankind's relationship to the elements which surround them. Oftentimes, these elements encroach on them in a way that is not normal.
I wanted to re-examine stories people think they know without the rose-colored glasses of Hollywood and let the audience decide for themselves if people like Wyatt Earp were sinners or victims of life circumstances.
The film [ Wyatt Earp and the Holy Grail] was shot on a KODAK Zi8 camera as well as on multiple camera phones. It was processed using the effects of FINAL CUT X and then edited in FINAL CUT 7.
I like being able to bounce between writing movies for people like Kevin Sorbo to making very personal films like orange county hardcore sinister to making a movie like [Wyatt Earp and the Holy Grail: The Tale of the Three Gates], which is made for the pure pleasure of getting together with creative people and making a movie. Alex Cox would be proud.
My name is Wyatt Earp! It all ends now!
No one has deputized America to play Wyatt Earp to the world.
True cultural connection is the Holy Grail for brands if they want to create an enduring emotional relationship with people.
Nothing counts so much as family, the rest are just strangers. (as Nicholas Earpp in Wyatt Earp, 1994)
Music makes or breaks an atmosphere. It helps to create the mood and also is a very important aural cue; simply shut off the music when you want people to leave.
Politics becomes a part of a writer's working life. The writer's protagonists are born in the context of the feelings that this atmosphere evokes. How can writers separate themselves from these feelings and create protagonists that come from Mars? Even writers who only write about psychological or internal issues or about love are writing under their prevailing atmosphere, and their writings will take on the hue of the time, place, and mood of their environment.
We use music, cinematic storytelling and very stylized backgrounds to create mood and atmosphere as 'Samurai Jack' travels an exotic landscape. The environment is a major character in each show.
If you win a National Championship, or you win two, people think you have not only seen the Holy Grail, but you've embraced it. Basically, I do what a lot of people do, but I've been able to win.
I'm just trying to touch the world and touch the people and just get good material. And show them that we can get it done. Just because you're African American, you still can touch the masses. And that's my goal. I won't stop until that goal is continued to push it hard to the world that we are the universal person as well.
In the mid to late nineteenth century, the gun manufacturers recognized that they had a limited market. Remember that this is a capitalist society, you've got to expand your market. They were selling guns to the military. That's a pretty limited market. What about all the rest of the people? So what started was all kinds of fantastic stories about Wyatt Earp and the gunmen and the Wild West, how exciting it was to have these guys with guns defending themselves against all sorts of things.
I do get cast in the same role a lot, but the truth is, I just want longevity. The thing is, I'd rather be stuck in a stereotype than be nowhere. The whole typecasting thing started because of 'Reservoir Dogs.' And I did a bunch of other films like 'Wyatt Earp' and 'Free Willy,' but no one seems to remember those.
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