A Quote by Evan Jacobs

[Wyatt Earp and the Holy Grail] it is a big story, which is why there are two more films coming, which will bring the total length of the series to 3 hours. — © Evan Jacobs
[Wyatt Earp and the Holy Grail] it is a big story, which is why there are two more films coming, which will bring the total length of the series to 3 hours.
Wyatt Earp and the Holy Grail: The Tale of the Three Gates is a look at humankind's relationship to the elements which surround them. Oftentimes, these elements encroach on them in a way that is not normal.
The goal was to create a mood, an atmosphere, and I think we have achieved that. We wanted people to not only get in touch with this character but also with themselves [in Wyatt Earp and the Holy Grail].
I like being able to bounce between writing movies for people like Kevin Sorbo to making very personal films like orange county hardcore sinister to making a movie like [Wyatt Earp and the Holy Grail: The Tale of the Three Gates], which is made for the pure pleasure of getting together with creative people and making a movie. Alex Cox would be proud.
The film [ Wyatt Earp and the Holy Grail] was shot on a KODAK Zi8 camera as well as on multiple camera phones. It was processed using the effects of FINAL CUT X and then edited in FINAL CUT 7.
I have been in the series for over 3 years - 3 series. There will be a fourth series next year which of course I won't be in because I'm now dead. So in total I appeared in 25 episodes.
My name is Wyatt Earp! It all ends now!
No one has deputized America to play Wyatt Earp to the world.
We did Holy Grail, and I got my name up there as one of the directors. After that, I started moving more and more down the line I wanted to, which was making movies.
To find the length of an object, we have to perform certain physical operations. The concept of length is therefore fixed when the operations by which length is measured are fixed that is, the concept of length involves as much as and nothing more than the set of operations by which length is determined.
What I often do in my work is to take a great story, such as the Odyssey, the search for the Grail, the story of Jesus, or the story of the great peacemaker who helped create the Iroquois Confederacy in the 15th century. I then use these tales as templates upon which to weave psychological and spiritual exercises which allow us to open ourselves up to the larger venue of a story.
If it has horses and swords in it, it's a fantasy, unless it also has a rocketship in it, in which case it becomes science fiction. The only thing that'll turn a story with a rocketship in it back into fantasy is the Holy Grail.
Nothing counts so much as family, the rest are just strangers. (as Nicholas Earpp in Wyatt Earp, 1994)
I do get cast in the same role a lot, but the truth is, I just want longevity. The thing is, I'd rather be stuck in a stereotype than be nowhere. The whole typecasting thing started because of 'Reservoir Dogs.' And I did a bunch of other films like 'Wyatt Earp' and 'Free Willy,' but no one seems to remember those.
I have directed good actors and have gone through the process which is more detailed in theater in a way. You have to get people to stay for two or three hours in a performance. They need more talk and rehearsal than in films.
In my opinion, visual effects are great when it compliments a good story, and action is great when it compliments a good story, but just to have them for the sake of having them, it gets a little boring, especially if you're talking a TV series. At least with a movie that's an hour and a half to two hours, you see it and you're impressed, and then you're out. With a series, if it's only that, week after week after week, there's nothing there to bring you back. You have to get invested in the characters and care about them and want to follow them.
Descriptive geometry has two objects: the first is to establish methods to represent on drawing paper which has only two dimensions,-namely, length and width,-all solids of nature which have three dimensions,-length, width, and depth,-provided, however, that these solids are capable of rigorous definition. The second object is to furnish means to recognize accordingly an exact description of the forms of solids and to derive thereby all truths which result from their forms and their respective positions.
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