A Quote by Evan Jones

I'm happy to work. I know things have changed recently, but I tend to prefer film. I don't know what it is. — © Evan Jones
I'm happy to work. I know things have changed recently, but I tend to prefer film. I don't know what it is.
I know most of my records are real good but I know that there are definitely things I would've changed at the end of the day. I work on things forever, and there are things I wish I didn't do, but ultimately I know the records are good. I kind of let go of big expectations, maybe because hopefully that means if I don't have them, that it'll do really well, but you just never know.
Every film has a lot of questions that you don't know the answer to, and you just hope that you figure it out. But I tend to like things that are hard; I don't know why.
Whatever work I do, I tend to do it fast and accurately, but when it comes to fields that I don't know about well, I prefer to just listen.
I'm happy to not know what I think about stuff; I'm happy to change my mind. But it's relatively recently that I've been able to apply that to feelings. I used to like to know what I felt. I didn't want those feelings to be complicated or muddled or clashing.
The worst thing that can happen is when you have gone weeks and months into elaborate sequences and the storyline of the film changes and you find out they don't need it. Sometimes you don't shoot those sequences, or they have been shot and then get edited out of the sequence you've shot gets changed and needs to be redone. That can be hard. It's not heartbreaking, but you do tend to think, "Och, all that work and effort." But that's filming, you know? You put all of these modular things into the pot, and sometimes they don't all get used.
I care about the match. I don't care about, you know, other things. It's like if I'm not happy, it's okay. I want just to be happy, you know. If I'm not happy, fine. Have it, you know.
When you are young you tend to do so many things that are not needed. When you get experience, you know what exactly what works for you and you tend to do things that you want.
It's good to be just plain happy, it's a little better to know that you're happy; but to understand that you're happy and to know why and how and still be happy, be happy in the being and the knowing, well that is beyond happiness, that is bliss.
The fiction I tend to like is nothing like my own work. I like the kind of writing that shows me things I don't know about, and what I don't know about is the everyday, normal world.
We had a great producing staff and great filmmakers, but for me, my mission , as a producer, was to make sure that the creators were happy with the film Death Note and that their voices were heard. I felt, if the creators were proud and happy with the film, then in turn, the fans would be proud and happy with the film because the creators know the fan base, inside and out.
I tend to work well within a deadline. If I know I have to get something in three weeks, I tend to A, enjoy myself a little bit more, and B, really work well.
Sometimes you do films that work really well and sometimes you do a film and you fall flat on your face. Sometimes things work, sometimes things don't work, you never know. I don't think there is any explanation to something like that.
Success for me is to feel happy - 80 percent of the time. That's been my goal in life. I think that comes from my father. He's a very optimistic, happy person. I'm not quite sure if I'll ever feel this, but I want to know how to be happy. I'm happy when I'm at work. I'm happy when I'm with my family or my dog. But there's always that feeling of, I'm not satisfied. I have that thing in my stomach where I just need to keep striving for things. In my mind, I want the fairy tale.
Everyone's got that frustrating thing and that's a natural feeling, but you know I'm 31 years old and I'm happy with what I'm doing. You know I'm not rich, I'm not wealthy at all but I'm happy and I'm surrounded by the people and the things that I care about and it's good.
The thing about film is that your eye is selective. Film isn't. You have to make film do what you want. Simply photographing something doesn't do it. You have to know how to apply light and know what it does on film.
I don't know whether I have ideas all the time. I think I'm curious about things all the time; I think I'm always curious, and I think I'm always interested in whatever passes by, and I know I tend to think about things, and I tend to talk about things, and sometimes that takes root and gives me something to chase.
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