A Quote by Evan Mandery

Give up on trying to be original. Every song has been sung, every picture has been painted, and every story has been told. The best one can do is sing, draw, or tell it again well.
Every record has been destroyed or falsified, every book has been rewritten, every picture has been repainted, every statue and street building has been renamed, every date has been altered. And that process is continuing day be day and minute by minute. History has stopped. Nothing exists except the endless present in which the party is always right.
Everything has already been done. every story has been told every scene has been shot. it’s our job to do it one better.
Nothing has been left undone by the enemies of freedom. Every art and artifice, every cruelty and outrage has been practiced and perpetrated to destroy the rights of man. In this great struggle, every crime has been rewarded and every virtue has been punished.
Yeah, I think the arts and literature have always been irrevocably connected. Because if you think about it, every film script, every play, every song starts as words on the page before it is ever performed or filmed or sung.
I've been trying to make my bed every day. Every time I wake up, I try and - someone told me there's been books about it, about how important it is to start the day with a win.
My approach is so simple; every song I sing, every story I tell, every move I make, must move the audience to laughter, tears, or inspiration. Otherwise, why do it? It's the communication.
Thus I rediscovered what writers have always known (and have told us again and again): books always speak of other books, and every story tells a story that has already been told.
Singing 'Blowin' in the Wind' all the places we've been, it takes on a different meaning everywhere. When you sing the line, 'How many years can a people exist, before they're allowed to be free?' in a prison yard for political prisoners in El Salvador; if you have sung it to a group of union organizers, who have all been in jail, in South Korea; if you've sung to Jews in the Soviet Union who have been refused exit visas; if you've sung it with Bishop Tutu protesting apartheid, the song breathes, it lives, it has a contemporary currency.
I don't know why people are so surprised by my live performances. My approach is so simple; every song I sing, every story I tell, every move I make, must move the audience to laughter, tears or inspiration. Otherwise, why should I do it?
I can't sing. Never been able to sing. I can't do voices very well. Every impression I do sounds the same. I can't dunk. Man, would I give anything to dunk. Just once.
Every day of my life has been a challenge - from singing a song that is not my type to being asked suddenly to sing a classical song with no practice.
In every war zone that I've been in, there has been a reality and then there has been the public perception of why the war was being fought. In every crisis, the issues have been far more complex than the public has been allowed to know.
The best picture has not yet been painted; the greatest poem is still unsung; the mightiest novel remains to be written; the divinest music has not been conceived, even by Bach. In science, probably ninety-nine percent of the knowable has not yet been discovered.
I'm not always the guy getting knocked down a whole lot. My body probably hasn't been punished as much as the other guys have been. I think it's because I show up every day, and I try to do my best - give everything I have.
You are the song of every bird, you are the poet's every word, every artist's picture, every writer's play.
There have been trade-offs every day, every month, every year. There's a lot that I missed and I do have regrets in that area. But I have been able to bring to my family the richness of being a journalist.
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