A Quote by Evan Osnos

Once I became interested in China, I flew to Beijing in 1996 to spend half a year studying Mandarin. The city stunned me. — © Evan Osnos
Once I became interested in China, I flew to Beijing in 1996 to spend half a year studying Mandarin. The city stunned me.
So Mandarin, I picked it up, I spent a year in Beijing studying but then when you don't use it, languages, you just kinda forget it all.
As a student in Beijing in 1996, I sometimes marveled at the sheer obscurity of the movies that somehow made it onto pirated discs in China.
I went back to China and did a movie in Mandarin, and I don't speak Mandarin, so I learned it phonetically. Now, when I'm on set and somebody gives me English lines, I'm like, "Are you kidding? What's happening? This is amazing!"
I loved my time on 'The Mindy Project' so much. It was only supposed to be half a year. It was really only supposed to be one episode, and then it became three episodes, and then it became half a year, and then it became a year and a half, and then it became two years.
Beijing is my favorite city in China.
The Beijing Olympics and the Shanghai World Expo show just how much effort China is willing to spend to enter the global stage. But while China desires to understand the world, it fails to accept its universal values.
I grew up in the old neighborhood of Beijing where you had a courtyard and trees. Actually, the whole of Beijing was a garden - the Forbidden City - and the lakes and gardens in the city center were all artificial.
In my fifth year in Beijing, I moved into a one-story brick house beside the Confucius Temple, a seven-hundred-year-old shrine to China's most important philosopher.
Once publishers got interested in it, it was a year in developing, and it was launched, I think, in 1960. But Willie Lumpkin didn't last long - it only last a little better than a year, maybe a year and a half.
China has some cities, traditional cities, with a long history. They are so beautiful, and they were planned so smartly. I call them gardens on the city scale. For example, Beijing has mountains, waters, lakes, bridges, towers. It was a very poetic city.
In 2006, I became the fist American to be allowed to go visit their astronaut center in China in Beijing. I think that it makes sense for the U.S. to work with China in the future and I hope to see, if the political atmosphere between the United States and China allow for us to do more cooperation together, especially in the area of human space flight. I think in the same way that it's help improve the relations between the U.S. and Russia; it would help to improve the relations between the U.S. and China.
My grandfather was originally from the south of China before he emigrated to Malaysia pre-World War II. And I wanted to learn more about the history of the country of my ancestors. I knew I wanted a narrative set in contemporary Beijing. I was really interested in the effect of the rapid social and economic change on ordinary citizens in China.
When I was studying photography, I became interested in conflict photojournalism, and that got me interested in lighting. Then I realized there was this amazing thing called cinematography where you could kind of tell more complete stories photographing for film. So I ended up going to AFI grad school for that.
I see myself as half country boy and half city boy, so I need both to balance me out. I couldn't spend all of my time in either place.
I wanted to do something far from my intellectual and physical home, so I went to live in Beijing for eight months and took Mandarin Chinese.
When I lived in Beijing in 1996, it was a horizontal city. If you wanted to go out for a burger, if you wanted to really treat yourself, you went to this place called the Jianguo Hotel. The architect had proudly described it as a perfect replica of a Holiday Inn that he had seen in Palo Alto, California.
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