A Quote by Evan Osnos

Analysts, scholars, business people, diplomats, and journalists involved with China spend so much time questioning one another's biases and loyalties that they have even settled on two opposing categories: 'panda huggers' versus 'panda sluggers.'
A Panda walks into a cafe. He orders a sandwich, eats it, then draws a gun and fires two shots into the air. "Why?" asks the confused waiter, as the panda makes toward the exit. The panda produces a badly punctuated wildlife annual and tosses it over his shoulder. "I'm a Panda," he says, at the door. "Look it up." The waiter turns to the relevant entry, and, sure enough, finds an explanation. Panda. Large black and white bear-like mammal, native to China. Eats, shoots and leaves.
A panda walks into a tea room and ordered a salad and ate it. Then it pulled out a pistol, shot the man in the next table dead, and walked out. Everyone rushed after it, shouting "Stop! Stop! Why did you do that?" "Becuase I am a panda," said the panda. "That's what pandas do. If you don't believe me, look in the dictionary." So they looked in the dictionary and sure enough they found Panda: Racoon-like animal of Asia. Eats shoots and leaves.
The hidden village was something we found when we went to research in China we climbed a mountain in the Sichuan province where the panda sanctuary is based, and we climbed to this beautiful, mist-covered, almost primordial place and when we turned these corners these moss covered old buildings would come into view, revealing themselves and it was so beautiful and so unlike anything we'd seen that we literally took those moments and put them into the film [Kung Fu Panda 3].
The Panda mission really speaks to our philosophy. It is, 'Deliver exceptional Asian dining experiences by building an organization where people are inspired to better their lives.' I'm talking about everyone who works at Panda. They're inspired to better their own lives.
I said that I thought the secret of life was obvious: be here now, love as if your whole life depended on it, find your life's work, and try to get hold of a giant panda. If you had a giant panda in your back yard, anything could go wrong — someone could die, or stop loving you, or you could get sick — and if you could look outside and see this adorable, ridiculous, boffo panda, you'd start to laugh; you'd be so filled with thankfulness and amusement that everything would be O.K. again.
We have those new environments [during Kung Fu Panda 3] that give a scale to the movie, that are the spirit realm and the panda village. The spirit realm, having no gravity, having this massive space, allowed us to do huge action shots. All that we just couldn't do before. We just couldn't get the scale, we'd have to cheat them. This time we found ourselves more free.
As a singer, I have won the highest honours in China. Actually I am like the panda: we are both national treasures.
Panda. Large black-and-white bear-like mammal, native to China. Eats, shoots and leaves.
When we were first creating the look of 'Kung Fu Panda,' we wanted to pay tribute to the beautiful tradition and culture of China.
Even the diss tracks was enhancing 'Panda.'
In China, the government is involved in business in many different ways. They're involved in media and business. When you go to China, you have to rethink how you're doing everything. You have to become Chinese.
People who have followed my career still call me Ron, and that's OK; most of the young kids call me Metta, and then everyone in China calls me Panda. In the Middle East, they call me World Peace.
We did two films [Kung Fu Panda], because the first two films were so embraced by the Chinese audiences we wanted to make something we could push further and since this is a co-production, it seemed like the perfect time to create something that felt native to Chinese audiences.
Some social scientists say that in-group/out-group biases are hard-wired into the human brain. Even without overt prejudice, it is cognitively convenient for people to sort items into categories and respond based on what is usually associated with those categories: a form of statistical discrimination, playing the odds.
There are a lot of movies that take place internationally, like Kung Fu Panda portraying a little bit of China, and Ratatouille portraying a little about Paris, but it's hard to find a movie that portrays Rio or Brazil.
I find it striking that the quality of the urban habitat of homo sapieans is so weakly researched compared to the habitats of gorillas, elephants, and Bengal tigers and panda bears in China…you hardly see anything on the habitat of man in the urban environment.
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