A Quote by Evan Osnos
Living in Beijing, writing about politically sensitive things now and then, you get used to the idea that somebody, somewhere, might be watching. But it is usually an abstract threat.
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I'm not politically motivated. I used to be - passionately. I used to be very Left wing. Then I went very Right wing, and now I rest somewhere in the middle.
I am trying to get used to living in Sydney and it is not really happening so I might have to get a house in Adelaide somewhere.
The way to start writing isn't by writing at all. But by living. It isn't about creating something from thin air, but about documenting our personal feelings about the things that we see. Or to put it crudely, how are you going to be a storyteller if you have no story to tell? Perhaps, in the end, there are no such things as creative people; they are only sharp observers with sensitive hearts.
I used to think that when I grew up there wouldn't be so many rules. Back in elementary school there were rules about what entrance you used in the morning, what door you used going home, when you could talk in the library, how many paper towels you could use in the rest room, and how many drinks of water you could get during recess. And there was always somebody watching to make sure. What I'm finding out about growing older is that there are just as many rules about lots of things, but there's nobody watching.
When I start writing a new imaginary future, I have no idea what it is. The characters arrive first. They help me figure out where they are living and I get to fill in the gaps with that and where we are. So when I get to the end of the process of composition, if I feel that I have really done my job, I have no idea what I've got - and I then spend essentially the rest of my life figuring out what it might mean.
People ask me this a lot, what a song's about.... I do think analyzing a song can be interesting, although it doesn't necessarily get to the point. It's a whole other side activity. I do like making a thing into pictures. If I get an abstract idea and all the words in it don't represent tangible things, I might try to take the idea and make it into a picture, create a little scene there, an image.
Depending on where you live, your threat is much different from the other person. If you ask a New Yorker today, because of the way the press plays it, he will say terrorism is his biggest fear. But for somebody living on a small island state, then it is climate change, the rise of the sea level, for his whole island may be washed away. If I go to southern Africa, they tell me it is HIV/AIDS and somewhere in Asia it is poverty. This is also why you will find it difficult to find agreements, because if you want someone to be concerned about your threat, then you should be concerned about his.
The reason is that they define how I have gone about my business. I have trusted to intuition. I did it at the beginning. I do it even now. I have no idea how things might turn out, where in my writing I might go next.
I expect I should be more calloused by now, but I am so sensitive about not ever living up to anybody's worst idea about an actor who is well-known.
While writing is a mystical process, it's also work. If you show up to work five days in a row, nobody's going to pat you on the back - everyone does that. Well, do that with your writing. Just show up. Be there for it. When you get an idea, write it down somewhere and then be a steward of that idea.
A lot of my work is about what's abstract and what's pictorial. Is it bubblegum, or is it an abstract painting using bubblegum? The energy comes from walking that line and watching things dip this way and that.
I don't know enough about the lower classes to write about them. I don't feel with them, and that could be regarded as a defect, a limitation of my imagination. I could put myself in their position, but not politically. The idea of writing a story or a book about somebody completely devoid of appreciation of anything I care about is completely foreign to me.
I realized you might make money at writing, and you might even make a living at it. So after that I didn't write stories just for the class but wrote them for the purpose of submitting them somewhere, and at some point in the process, I began writing them just to please myself and that's where you begin to see the real value of a life of writing.
I had this idea about terrible things happening to orphans, and I knew it was such a horrible idea that the idea of writing it down and then submitting it professionally was obviously absurd.
We're hard-wired by 200,000 years of evolution to be sensitive to the idea that someone might be watching us. They might be predators, after all. An uneasy feeling is perfectly natural if you suspect that someone has you in their ocular sights, whether it's a ghost or just some guy at the bus stop.
We're at a time now where there's a lot more "I'll do whatever it takes" attitude. I'm not going to say or do what you want me to say or do just because it might help me or be the politically correct thing to do to help my career. And that may have hurt me sometimes. I think about different collaborations that have been brought my way - it might have meant I'd get to be on TV to do certain things, but I've said, "No. It doesn't make sense. I'm not doing it." And other people might jump at the opportunity.
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