A Quote by Evan Parker

So in the sense that we were all dealing with that freer approach, yes, it was certainly one of the first contacts, perhaps the first contact, when Peter came that summer. So it's a very pivotal moment that is documented there.
My first Broadway show wasn't until I was a freshman in high school. It was my first trip to New York. I came with a group of theatre kids, and we saw four shows. The very first one was 'Contact.'
You live and die two or three times making a movie. First, you write it, and the first pivotal moment comes when you can get it made. The second is in the process of making it, when the movie reveals itself to you, its flaws and its virtues. Then the most unnerving moment is when that movie is then launched into the world. It’s like bringing your kid to the first day at school and somebody points out that it has bowlegs, it is cross-eyed, or it’s gorgeous. You feel very exposed.
Isn't it the moment of most profound doubt that gives birth to new certainties? Perhaps hopelessness is the very soil that nourishes human hope; perhaps one could never find sense in life without first experiencing its absurdity.
There clearly are contacts between al Qaeda and Iraq that can be documented; there clearly is testimony that some of the contacts have been important contacts and that there's a relationship here
I don't feel the pressure, in the negative sense of the word. Yes in the positive sense. I am the first American to debut with Barca and I'm very proud. Now I want to be the first to succeed at Barca.
Peter,” Ashley asked softly, “Do you know what that was?” “Of course,” Peter said, much affronted. “A thimble.” “No,” said Ashley, staring, “That was a kiss.” “Didn’t it strike you as a little different from other thimbles you’ve had in the past?” Peter looked shifty. “Well, yes.” “Ha!” “It was my first thimble with tongue.” Peter told her with dignity.
ELVIS PRESLEY was bigger than life. His success was documented and laid out for him. He came to the first show I had in Memphis, and it was very nice. He sort of treated me like an equal, because we were both fresh in the business. We got to be great friends and kindred souls.
The first and pivotal negotiations over global access to AIDS drugs began in Geneva in 1991. They lasted two years, but confidential minutes suggest they were doomed the first day.
On a fading summer evening, late in the last hours of his old life, Peter Jaxon-son of Demetrius and Prudence Jaxon, First Family; descendent of Terrence Jaxon, signatory of the One Law; great-great-nephew of the one known as Auntie, Last of the First; Peter of Souls, the Man of Days and the One Who Stood-took his position on the catwalk above Main Gate, waiting to kill his brother.
What I was talking about was, of course, very autobiographical - '68 was the moment when all the young people were incredibly excited, because when we were going to sleep, we knew we would wake up not tomorrow, but in the future. There was a sense of future that was the result of the mixture of politics, cinema, music, the first joints. And the movies were a very important part of that cocktail.
My first few films were institutional comedies, and you're on pretty safe ground when you're dealing with an institution that vast numbers of people have experienced: college, summer camp, the military, the country club.
I will never forget the moment when Peter van Pels and I saw a group of selected men. Among those men was Peter's father. The men were marched away. Two hours later, a lorry came by, loaded with their clothing.
It is a sad moment when the first phlox appears. It is the amber light indicating the end of the great burst of early summer and suggesting that we must now start looking forward to autumn. Not that I have any objection to autumn as a season, full of its own beauty; but I just cannot bear to see another summer go, and I recoil from what the first hint of autumn means.
I've been very lucky to put women that I sincerely admire on the cover of 'Vogue:' the then First Lady and now Secretary of State Hillary Clinton and, more recently, First Lady Michelle Obama. Those were benchmarks for the magazine, and certainly covers that I've been very, very proud of.
I think the important thing about staying creative and staying sharp and original is not to look back too much, and to kind of look to where your vision is going now. But I have felt over the years a definite progression or arc from feeling guilty about what I had done with the first one, because certainly there was all that fundamentalist guilt that came pouring back in. Feeling like I'd done something horrible, "I'm a despicable person and I'm perverse," and all these things, to a sense of the power and the necessity, in a sense, of horror films and dealing with dark material.
We've got a first class leader at the moment. David Cameron is dealing with the issues that he was left by the last government very well indeed.
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