A Quote by Evan Parker
In a certain sense, aspects of my solo playing were developed in order to test the theory about how long particular elements could be, as parts of so-called free improvisations.
Related Quotes
I knew that what I did visually could not be completely understood. I knew that certain aspects of the work need a long time to develop. You get the visual idea in two seconds, but this idea can be developed like like a theory. You can see later on if the theory was correct, followed, or completely abandoned. That's why the writing can advance what is done. This is more or less how I started to write: to be sure that people will not totally misunderstand what my goal was.
In a certain sense, these were lessons I learned by playing with Indian musicians. The rhythmic forms that they use are very complex, and very challenging. In order to play in fifteen, or eleven, or seven or even five, you have to have mastered that time in order to be able to be free with the music.
But if fate won’t be denied...if it’s set, how could there be infinite possibilities? (Kat) Only certain aspects are fated. The outcome isn’t. It was fated that Sin would loose his godhood. The means and what followed were determined by free will. Free will is that one scary variable that sets so much into motion that no one, not even I, have control over. (Acheron)
My solo playing utilizes the deployment of suggestive psychic rhythms. I'll state these throughout a given piece and play thematic improvisations on top of that. I like to suggest that rhythmic movement without always playing it. I like to create openings that I can step into.
I tend to prefer the band thing. I think playing solo is good for about 45 minutes. I remember when I was on my solo tour that I got a chance to play with Martin Stephenson of the Daintees. He's now refashioned himself as almost a delta blues guitar player and he's got all the technique, all the persona and the charisma on stage. I think I do too, but I'm more of a first position strummer guy with a little bit of filigree work. I could listen to him for hours; I could listen to myself playing solo for about half an hour!
I was never a prisoner of any theory. What guided me were reason and reality. The acid test I applied to every theory or scheme was: Would it work? The acid test is in performance, not promises. It is not from weakness that one commands respect. As long as the leaders take care of their people, they will obey the leaders.
Rock guitarists usually do not wish to think trains of thought about anything but their own guitar playing during a long solo, and I could not play this way if I were not able to divide my attention between my ever changing musical environment and my instrument itself.
Growing up I was a total movie-holic, but I always wanted to play the role that Clark Gable was playing or Spencer Tracy was playing. I was really never interested in the parts that women were playing. I found the parts that guys were playing were so much more interesting.
This was the point of our lives when we found pills, uppers. That's the only way we could continue playing for so long. They were called Preludin, and you could buy them over the counter. We never thought we were doing anything wrong, but we'd get really wired and go on for days. So with beer and Preludin, that's how we survived.
The measures adopted to restore public order are: First of all, the elimination of the so-called subversive elements. ... They were elements of disorder and subversion. On the morrow of each conflict I gave the categorical order to confiscate the largest possible number of weapons of every sort and kind. This confiscation, which continues with the utmost energy, has given satisfactory results.
In magic I believe I can control certain elements of my environment, I believe I can control certain aspects of my endocrine system, through imagination, visualization, breathing techniques, which in a sense come into the scientific aspects. So magic is a combination, its a soup, a delightful combination of art, imagination, visualization, fantasy, with a healthy dose of solid basis, because it is a science. The thing is we've lost the keys.
I'm proud of my driver test. So many people were waiting for me to test and fail, so they could say that women would never be able to race in F1. I always view my time in F1 as before and after the test. Beforehand, I could sense everybody asking, 'What's she doing in the F1 paddock? Is she good enough?' After my test, that attitude changed.
Historical grammar is a study of how, say, modern English developed from Middle English, and how that developed from Early and Old English, and how that developed from Germanic, and that developed from what's called Proto-Indo-European, a source system that nobody speaks, so you have to try to reconstruct it.
You'll remember Newton was furious at Leibniz, because he developed calculus at the same time. And he went to his death believing that he had copied him. And no, it's because all the elements were there, so it's almost inevitable that the next discovery - as long as people are free and allowed to experiment and try new things.
Henceforth, whilst there are a great many theories and models proposed as to how, or why, magic works (based on subtle energies, animal magnetism, psychological concepts, quantum theory, mathematics or the so-called anthropomorphic principle) it is not a case that one of them is more 'true' than others, but a case of which theory or model you choose to believe in, or which theory you find most attractive. Indeed, from a Chaos Magic perspective, you can selectively believe that a particular theory or model of magical action is true only for the duration of a particular ritual or phase of work.
Some-one called my style 'sense of urgency' guitar playing and I've always admitted I often don't know where I'm going when I solo. But that desperation is what makes it exciting.
Related Authors
Ani DiFranco Quotes
American
Musician
Bob Dylan Quotes
American
Musician
Brian Eno Quotes
British
Musician
Bruce Springsteen Quotes
American
Musician
David Bowie Quotes
English
Musician
Drake Quotes
Canadian
Musician
Elton John Quotes
English
Musician
George Harrison Quotes
British
Musician
Henry Rollins Quotes
American
Musician
John Lennon Quotes
English
Musician
Madonna Ciccone Quotes
American
Musician
Moby Quotes
American
Musician
Nicki Minaj Quotes
American
Musician
Patti Smith Quotes
American
Musician
Thom Yorke Quotes
English
Musician
Tori Amos Quotes
American
Musician