A Quote by Evan Parker
But I think the record will actually come from tapes that are not yet recorded.
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In 1980, I moved to Chicago, and I recorded demo tapes for my friends' bands, and in 1981, the first Big Black record - the first thing I did that was an actual record.
The first record we made, we recorded and mixed in a day. The second record was recorded and mixed in a week. The third was recorded and mixed in a month, and 'New Wave' was mixed and recorded in six months. It was an epic project.
It's a weird technique but it works. If you bake tapes at a certain temperature - I think it's 130 degrees - something happened to the magnetic particles, so you can restore them. The key is to do the transfer to digital while it's still warm. If it's done right, the new digital version will actually improve upon the quality of the original. If you do it wrong, though, the tapes will melt!
I couldn't afford to go to the record store to buy new tapes, so I'd tape everything off the radio. Just hit record when my song came on. I used to take my mom's tapes and tape over them. I had a nice little collection. Had my own Stephen Jackson mixtapes off the radio!
All my writing takes place during the recording of the master tapes. I never do have songs when I start up an album. I actually write them while I record.
I find that the time that goes by is actually your best friend when you are making a record. The passing of time gives you perspective on what you recorded and what you wrote. If something sounds good to you 12 months after you recorded it then chances are pretty good that there's something valuable about the part or the song.
"I Wish It Could Be Christmas Every Day," which I actually recorded on "Quality Street" because I don't think anyone has ever covered it before. You hear it every single Christmas, and it is a great record. That's by Wizzard. It is a really great record, but I don't think anyone's ever covered it before, so I had to go it doing it differently. It's quite different from how the original goes.
Every record has been very different, so I can't really compare them. The first record was good. I originally recorded about half the songs on that one in 2003 or something, and then I went back a few years later and re-recorded them and added some other songs.
When I reissue these Minimal Wave Record songs, I also re-master them. With Oppenheimer Analysis, it turned out that the band still had the master tapes. So, Martin Lloyd from the band and I baked the tapes to restore the quality.
I think bands will actually make more money without record companies; a much bigger share of the money will go to the bands. You won't have record shops taking 40 percent of the money. You won't have record labels taking 40 percent of the money. So they don't have to sell as many albums as they used to in the past. So it's not necessarily a bad thing if record companies disappear.
I treat recorded tapes the way a film director treats his rushes.
It is my considered opinion that in the fullness of time history will record the greatness of Michael Collins and it will be recorded at my expense.
The old ways still apply. You can still send tapes to record companies, and there are record companies, you know, there are one or two of the record companies do declare proudly that they listen to every single one that comes.
Arnold Schwarzenegger is in trouble after tapes surfaced of him saying negative things about other Republicans. Actually the Schwarzenegger tapes surfaced last year, but they weren't deciphered until this week.
All my vocals were recorded at home, which was great for me. You can actually have a studio in a computer program called ProTools. I did half the record with ProTools.
My dream many years ago would've been to continue to write and record songs in record/album form for years to come, but now records aren't what they were then - and so it doesn't actually feel very good to make a record of songs.
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