A Quote by Evan Parker
I think the whole question of meaning in music is difficult enough even if you hear me playing live right now in the same room! What I mean and what you take from it may be two quite different things anyway.
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Religion is all based on the mentality of "I'm right", but now today it's moved from even the question of "I'm right and I'm willing to tolerate those who agree that I am right or those who don't disturb me anyway". Now, it's a question of "If you do not accept that I'm right, I have a right to kill you". That is the mentality of religious fundamentalism today. That is the meaning of the kind of terror which we are witnessing today, that everybody is expendable who do not actually physically line up behind me.
It's always a blast playing the new stuff. But I feel like songs, in a way, are never finished. You get to a point where you're comfortable enough to put a stamp on it and send it out there, but even after recording it, when you're playing it live, you hear different harmonies, you hear different notes, you hear different tempos or peaks and valleys in the song.
To be a scientist you have to be willing to live with uncertainty for a long time. Research scientists begin with a question and they take a decade or two to find an answer. Then the answer they get may not even answer the question they thought it would. You have to have a supple enough mind to be open to the possibility that the answer sometimes precedes the question itself.
For me to be able to reach out to other people throughout all this has been great, people want to hear from me and hear my music right now so it keeps me happy. I cherish every moment. I have a different perspective on everything now. In the end, I think it will make me a better person.
I am attracted to looking at the different things language can mean even in one sometimes quite ordinary utterance. Writing is partly about listening closely to yourself as you think or compose and being aware of the different tensions and weights among the words, the different directions any one of them could lead. I like to play with the multiplicity and instability of meaning partly out of a sense of adventure, to see where that takes me and partly in a whistling past the graveyard kind of way because, of course, sensing stable meaning fall away can be scary.
That certain feeling happened to me in a big way quite often with the first King Crimson. Amazing things would happen-I mean, telepathy, qualities of energy, things that I had never experienced before with music. You can't tell whether the music is playing the musician or the musician is playing the music.
We all declare for liberty; but in using the same word we do not all mean the same thing. With some the word liberty may mean for each man to do as he pleases with himself, and the product of his labor; while with others, the same word many mean for some men to do as they please with other men, and the product of other men's labor. Here are two, not only different, but incompatible things, called by the same name - liberty. And it follows that each of the things is, by the respective parties, called by two different and incompatible names - liberty and tyranny.
A lot of people ask me where music is going today. I think it's going in short phrases. If you listen, anybody with an ear can hear that. Music is always changing. It changes because of the times and the technology that's available, the material that things are made of, like plastic cars instead of steel. So when you hear an accident today it sounds different, not all the metal colliding like it was in the forties and fifties. Musicians pick up sounds and incorporate that into their playing, so the music that they make will be different.
It is probably true quite generally that in the history of human thinking the most fruitful developments frequently take place at those points where two different lines of thought meet. These lines may have their roots in quite different parts of human nature, in different times or different cultural environments or different religious traditions: hence if they actually meet, that is, if they are at least so much related to each other that a real interaction can take place, then one may hope that new and interesting developments may follow.
When Mr. Miyamoto says easy, he doesnt mean simple. He means easily -- this is the difficulty of the language here. Its accessible, and you know how to do things, if not necessarily what to do. You may have a series of puzzles to figure out, and it may be difficult to decipher the meaning, but its not difficult to accomplish what you need to do.
It comes back to the same old question people are always asking me: 'When are you going to do a solo record?' Well, if I did, it would probably be similar to 'Baluchitherium,' meaning it would be Van Halen music - which I write anyway - but without singing.
I mean, take 'Chariots Of Fire.' That opening scene, the long shot of the runners along the beach, and then you hear that music... I think that was one of the first times synthesizers were really used in movie music. I just flipped! I didn't even care what the story was going to be. Give me a nice marriage of sound and music.
One song isn't going to ever change things, but I suppose it's the accumulation of music generally [that is]. If you can imagine a world that has no music in it, it would be a very different world, so music does change the world by virtue of all the music in it. Cumulative music of every kind, from banging a drum to playing a flute or recording symphonies, or singing 'War, what is it good for?' All those things change the whole way we live.
In general, I don't like game mechanics, I mean it's the idea you do the same things through different levels. I think, in my mind, it's an ideas I don't really like because I love to do different things and like to see the story moving on and I like to do different things and different scenes, not do the same thing over and over again. If it involves violence at some point fine, if it makes sense in the context. But violence for the sake of violence, it doesn't mean anything to me anymore.
It makes me uncomfortable to talk about meanings and things. It's better not to know so much about what things mean. Because the meaning, it's a very personal thing, and the meaning for me is different than the meaning for somebody else.
When you think of all the things that have happened, since that problem with computers in 2000 and everybody was afraid and they were buying water, imagine what Millennium would do with all the things that are going on in the world right now. It has the capacity to be a movie. But, anyway, I loved doing it. It changed my life because the guy that I was playing was so much more educated and smarter than I was, so I had to live up to it.
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