A Quote by Evan Peters

I'm not the best actor I can be, so I'm just working on it. I'm not the quickest reader in the world but when I get an acting book I can read it in two days. — © Evan Peters
I'm not the best actor I can be, so I'm just working on it. I'm not the quickest reader in the world but when I get an acting book I can read it in two days.
As a historically voracious reader - pre-baby, I averaged a book every week or two, and when I was a kid, I'd routinely read a book a day - I never understood how some people could not read. When I heard people say they didn't have time to read, in my head, I simultaneously pitied and ridiculed them: there was always time to read.
Write what you want to read. So many people think they need to write a particular kind of book, or imitate a successful style, in order to be published. I've known people who felt they had to model their book on existing blockbusters, or write in a genre that's supposed to be "hot right now" in order to get agents and publishers interested. But if you're writing in a genre you don't like, or modeling yourself on a book you don't respect, it'll show through. You're your first, most important reader, so write the book that reader really wants to read.
Once I moved to Chicago and started trying to get acting jobs, I just tended to book more things that were comedically based than anything else. I never had the preconceived notion, 'I will be a comedic actor.' I just thought, 'I'll go into acting and see what kind of work I can get.'
Once I moved to Chicago and started trying to get acting jobs, I just tended to book more things that were comedically based than anything else. I never had the preconceived notion, "I will be a comedic actor." I just thought, "I'll go into acting and see what kind of work I can get."
O Day of days when we can read! The reader and the book, either without the other is naught.
Every book is good to read which sets the reader in a working mood.
Curiously enough, one cannot read a book; one can only reread it. A good reader, a major reader, and active and creative reader is a rereader.
There are many challenges I face while working on a book. Working within deadlines and schedules is certainly one of the bigger ones for me. I want to create the best possible book I can for my readers with words and pictures - and that takes time to get it just right.
The great thing about NYU, and the reason I chose to go there, was the fact that they don't inhibit you as an actor and tell you, 'You only have to study acting. This is it for the rest of your life.' They're really great at balancing other things; you get to study two days a week anything you want unrelated to acting.
My husband, William Sutcliffe, the writer, is my first reader and in many ways my most important. That initial reading of the manuscript is crucial and irreplaceable and you want them to approach it as someone in a bookshop might, not knowing much about it. So I've got into this pattern of not telling Will anything about the book I'm working on. He often knows nothing about the book I'm working on at all until I give him the whole manuscript and ask him to read it. The book I'm working on at the moment he knows nothing about. No one does.
Take a book, the poorest one written, but read it with the passion that it is the only book you will read. Ultimately, you will read everything out of it, that is, as much as there was in yourself, and you could never get more out of reading, even if you read the best of books.
I happen to think that a book is of extraordinary value if it gives the reader nothing more than a smile or two. It's perfectly okay to take a book, read it, have a good time, giggle and laugh - and turn off the TV. I love that.
I barely read. I'm not a good reader at all. Rather than reading, I used to sit in front of the TV and watch black-and-white cowboy movies. I'm a painfully slow reader. It's really bad as an actor, because you have to read a lot of scripts. It takes me like an average of three hours to read a script, which is pretty poor.
I've always been an avid reader. If I don't have a book in the car, I'll stop and pick one up just to have something to read. I don't even remember learning to read.
Every reader, as he reads, is actually the reader of himself. The writer's work is only a kind of optical instrument he provides the reader so he can discern what he might never have seen in himself without this book. The reader's recognition in himself of what the book says is the proof of the book's truth.
I just got my phone back yesterday. My mom had it for two days. I was supposed to read a book and I really wanted to play Call Of Duty.
This site uses cookies to ensure you get the best experience. More info...
Got it!