A Quote by Evan Peters

I tried to - I wanted to work at Blockbuster. — © Evan Peters
I tried to - I wanted to work at Blockbuster.
For years, Blockbuster Video has edited movies. Like The Bad Lieutenant, when he's masturbating while the girls in the car are doing the thing. I rented it from Blockbuster and sped to that scene, and it was gone. I called up Blockbuster, and I'm like, "I got an erection, and the scene's not there."
When my films don't work it's usually because I tried some very experimental idea. I tried new ideas and they just didn't work, as opposed to trying to do something conventional and having it be so conventional nobody wanted to see it.
I'm not 'Blockbuster Boy.' I never wanted to be. I wasn't looking for that.
I had no clue what I wanted to do. I tried nursing, I tried science, I tried English. I just kept bouncing back and forth.
You see people in Hollywood trying to make blockbuster after blockbuster, but it's not possible. There's some god up there saying, 'You will fail now.' But I suppose that's true of us all.
Mazhar never wanted me to grow as an individual or as an artist. He always wanted me to be with the kids and be at home. During the very first year of marriage I realised I had made a huge mistake, but I decided to live by it and make it work. I tried to make it work for another 12 years.
I tried to work with a record label; I tried to work with a booking agency, variety shows. I went to Vegas. I just tried everything I could think of, and nothing took. No one thought there was a place for my style and my music; it was just too different.
I did try painting, but it didn't work. I tried to dance, but that didn't work either. And then I tried to act, and it seemed to work.
I tried singing. I tried playing a musical instrument. I really wanted to be a musician, but I never could quite pull that off. I liked entertaining, but I was always drawn to some kind of technical work - some kind of honest labor.
Even though I played in the NBA, we tried to give our kids as normal a life as possible. We gave them everything they needed, not everything they wanted, and they had to work for what they wanted. I think that mentality helped.
First of all, I appropriate photographs.In presenting the Richard Prince photograph I tried to be as neutral as I could be. I put down the fact of it. I wanted it to be the same thing he wanted it to be, an open ended invitation to think about authorship, and who owns a created work. So I pair it with my appropriated picture.
We tried war, we tried aggression, we tried intervention. None of it works. Why don't we try peace, as a science of human relations, not as some vague notion - as everyday work.
I don't want to be Tom Cruise. I'm not after some movie blockbuster career. That's not the kind of work I'm interested in. And frankly, it's not the kind of work I'm ever going to get.
My parents - they tried to become American, they tried to become British, they tried to become Scandinavian - nobody wanted them, anywhere.
Nowadays you really have to pump out that blockbuster in order to have the luxury of getting a body of work, and that's sad because the work suffers. Today everything is based on money. The older actors, they inspire me.
In 2006, the Blockbuster board got together and said, ‘Do you know anyone using Netflix.’ …Look how that worked out. That is what happens when you put ten 80-year-old guys in a room…Be on record. Be on the right side of history. You don’t want to be the person that supported the Blockbuster decision.
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