A Quote by Evan Rachel Wood
I did my first nude scene in Mildred Pierce, and that was absolutely terrifying, but it was for an important part of the film and for a reason, and it's incredibly powerful. It's not gratuitous. I think the stuff they show on MTV is so much worse.
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It was (Nick Frost's) first-ever bedroom scene and my first-ever bedroom scene...not that we were actually doing much, but we did have to lie sort of semi-nude under the sheets. And he was incredibly sort of vibrant and outgoing, but then he suddenly got very, like, 'I'm engaged and I'm getting married!' And I was, 'Okay, that's good. I just won't be touching you, then!'
If the character should be nude in the scene and it makes sense and I trust the person making the film then I don't see a problem with it. I certainly don't want to be involved in anything that is gratuitous, but I don't think the human body is something to be ashamed of. Every other person on the planet has the same parts as I do.
I got offered to do an OTT film with Nawazuddin Siddiqui two years ago that I was uncomfortable doing because it had a nude scene. I was asked why I can't do it again if I did it before, many didn't realize I've actually never gone nude for 'Ice Cream,' it was just a publicity gimmick.
Whether it's one scene or 15 scenes in a film, whether it's the lead or a cameo part, if I don't find it interesting, I tend not to do it. You never really know what it is. It could be a one-scene part. I remember I read the one scene in Crash and was asked to do it. I was like, "Absolutely!" There's no formula for how something has to be. I always try to keep it that way.
Secret Cinema has created a new way of experiencing film. The fusion of film and theatre allows for a much more powerful experience and adds an incredibly unique dimension for the audience. It certainly did for me. I was blown away
I don't think they're gratuitous with the nudity on 'Game of Thrones.' It's very much part of the world. There's a lot of it, but that's the world they come from. It never is there to distract from the scene or the actors or story.
Film and television are very different. On the TV show, we do seven or eight scenes a day, so time and money are of the essence, and we have zero room for creativity because you've got to do each scene in only five takes. Whereas, on a film, you have an entire day to film one scene, so you have so much time to choose how you want to fill in a scene.
I'm always interested in what classic crime writers got into when they stepped away from the genre stuff they were known for. That's why 'Mildred Pierce' is like noir without any real crime.
I love the 'Mildred Pierce' miniseries.
Two-thirds of Americans think our kids will have a worse life than we did. That is a powerful indication we are on the wrong path. I think we can change that, but I'll tell you, that's what I'm going to fight to do, and the reason so many grass-roots activists poured so much into it is they believed in our country. They believed in liberty.
Mildred Pierce was capable of great acts of love as a mother.
I want to commend the men and women at CPAC. As activists fighting for liberty, fighting for the Constitution, y'all are incredibly important. You are incredibly important number one in shocking and terrifying the mainstream media.
I think that there's absolutely no point trying to force your body to be anything than what it is. I think that when you see people who are really pushing themselves to terrifying lengths to achieve what is perceived as being beautiful today, then that's just terrifying, it's really terrifying.
The two important things I did learn were that you are as powerful and strong as you allow yourself to be, and that the most difficult part of any endeavor is taking the first step, making the first decision.
Some things definitely work better on film than in books. Introspection is great in books but it doesn't work on film. Anything with high intensity, whether it's a love scene, a car chase, a fight scene - those things work so well on film and oftentimes they can tell a much broader part of the story.
Everything we do on 'Luck' is absolutely no different than if we'd had been doing it in a feature film. There's no short cuts. The specificity of what every single line might mean. Everything Dustin Hoffman does. Kevin Dunn is as authentic in the last scene of the last episode as he is in the first scene of the first episode.
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