I think humans are fascinating in general. We're so weird. We do so many quirky things, and we don't even know it. There's just so many layers upon layers of nuances in everything we do, and the most fun part as an actor is trying to get into all those nuances, whether they're conscious or unconscious.
'Shivalinga' was a tough project - I did my own stunts in the film. I actually enjoyed it, as I play a character with many layers. It was challenging to switch between the many phases of the character.
Playing Aung San Suu Kyi was a journey in itself. She represents many things for many people and for many reasons. Although I have played many important roles in my life, I can say that this role has been a journey of self-realisation.
It was the easiest thing in the world for Arya to step up behind him and stab him. “Is there gold hidden in the village?” she shouted as she drove the blade up through his back. “Is there silver? Gems?” She stabbed twice more. “Is there food? Where is Lord Beric?” She was on top of him by then, still stabbing. “Where did he go? How many men were with him? How many knights? How many bowmen? How many, how many, how many, how many, how many, how many? is there gold in the village?
There are not anywhere else so many ways of trickery, so many false lights, so many veils, so many guises, so many illusive deceits, as are practiced in every man's conscience in respect to his motives, thoughts, feelings, conduct, and character.
It's so fun to play a character that has so many layers that people won't even know, until the next season.
There are so many people, so many artists, so many magazines, so many theater companies, so many people trying to raise money for so many things that it's easy to look around and just feel powerless or helpless, because even if you have some resources, you can't help everybody.
Many people have trouble with forgiveness because they have been taught it is a singular act to be completed in one sitting. That is not so. Forgiveness has many layers, many seasons.
The hard part that I didn't like about recruiting in college was, there was so many regulations. So many rules. It was so many layers to it in the recruiting that I just got fed up with it.
The characters are born from repetition, from repeatedly thinking about them. I have their outline in my head. I become the character and as the character I visit the locations of the story many, many times. Only after that I start drawing the character, but again I do it many, many times, over and over. And I only finish just before the deadline.
Best player I ever played against? I mean, I played against many, many good players, so I don't know who to keep. I would say Ronaldo the Fenomeno.
If you run into a Buddha, then that energy field, the "rad" level is so high, it's incalculable. Their effect on an individual is for many, many, many, many, many, many lifetimes.
Of the many qualities I adore about Melissa McCarthy as a comedian and as a dramatic actor, the best is how fully she gives herself to every character she plays.
I've played with so many people that I never really noticed that I was playing with so many people until after it was compiled on the Internet. I just kept going. I haven't even heard half the records I've played on, to tell you the truth.
There are, in truth, no specialties in medicine, since to know fully many of the most important diseases a man must be familiar with their manifestations in many organs.
I played ball in college and semi-professional, and aside from the game and all that, the most valuable thing is the relationships. Who can care how many rings you have or how many championships you've won or how many records you broke. The most valuable stuff is the intangible stuff.