A Quote by Evan Rachel Wood

Throughout the entire time I was filming 'Thirteen,' I'd just lock myself in my room and listen to Garbage's first album. It was Shirley Manson, Nirvana and Radiohead who got me through everything. Also, Alanis Morissette and Tori Amos. They were so beautiful and strange, and they gave women permission to be angry and emotional, but also strong.
My mum listened to stuff like Alanis Morissette and Tori Amos, but she also listened to a lot of '80s stuff like Heart. I still quite like Heart.
My reaction to Radiohead isn't as simple as jealousy. Jealousy just burns; Radiohead infuriate me. But if it were only that, I wouldn't go back and listen to those records again and again. Listening to Radiohead makes me fell like I'm a Salieri to their Mozart. Yorke's lyrics make me want to give up. I could never in my wildest dreams find something as beautiful as they find for a single song - let alone album after album.
One of my first favorite records was the debut Garbage album, which I heard when I was very young. Shirley Manson is a great female vocalist and performer and I admire her for that.
I first fell in love with music when I was five years old because of 'Annie.' And then 'The Little Mermaid' really made me want to start singing. And then the fierce, amazing women of the '90s - Alanis Morrissette, Courtney Love, Tori Amos, Ani Difranco, Paula Cole, Patty Griffin - made me want to start writing.
My style icons were Gwen Stefani, when she was in No Doubt, and then Shirley Manson in Garbage.
I listen to everything - from Sarah McLachlan and Alanis Morissette all the way down to rap like Scarface, UGK and Lauryn Hill.
The first Garbage record sounds bizarre, it's not a pristine sounding album. We ran everything through stomp boxes and through samplers and that definitely gave it a vibe.
The Alanis Morissette tour, everybody thinks that was all sitting around, lighting candles and talking intelligently about synergy and big words. That band was so gnarly. We were such scumbags. Alanis had no idea. We were like Van Halen.
I always had a very strong sense of independence. I really liked being able to buy my Alanis Morissette Jagged Little Pill album. I wore that as a badge of honor. I love not having to rely on anyone.
I always had a very strong sense of independence. I really liked being able to buy my Alanis Morissette 'Jagged Little Pill' album. I wore that as a badge of honor. I love not having to rely on anyone.
But then as I got older, I got to know all these amazing artists like Alanis Morissette, Stevie Nicks, Debbie Harry, all these women who are really the creators behind who they are.
I went through that stage of the Mumford & Sons and the Alanis Morissette vibe. I was in a dark place at the time.
The sexual revolution... it was the first time I had read anything that came close to describing those feelings of being outside of my body, feeling the shame, all of it, that I really was able to connect to in that book. So it sort of blew my mind. I was also listening to Tori Amos at the same time, so I was like, "Wait, what's happening?!" It was all a part of that, probably when I was, like, 13.
This reference to the Scots side of her ancestry is the first of two visual explorations into Tori Amos's diverse cultural past. As is the case for many of us, Tori's ancestry is a mix of races and religions, philosophies and professions, fortunes and foibles. What to some may seem like a family tree grown wild and untamed is actually a mighty oak that has weathered life's many storms and can still put out a rare and beautiful blossom like Tori.
I have insanely dorky taste. Basically, if you're a woman, and you're under any kind of emotional duress, and you sing a song, I will listen to it forever. It's odd being a 37-year-old heterosexual male who owns nothing but Sarah McLachlan and Tori Amos. But I'll go against that at first and play something boring like James Taylor.
The first time I remember women reacting to me was when we were filming Hud in Texas. Women were literally trying to climb through the transoms at the motel where I stayed. At first, it's flattering to the ego. At first. Then you realize that they're mixing me up with the roles I play - characters created by writers who have nothing to do with who I am.
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