A Quote by Evan Ross

I think that when you start rolling with an entourage, you attract attention, and you tend to create this whole big thing. My mom taught me that when you keep a low profile, most people tend to totally miss you because they're not expecting anything.
When I'm in the U.K. - and I'm here more than people would think - I tend to keep a very low profile.
Even going out to get milk becomes a little bit challenging, just because there is a whole entourage that then travels with me for this simple thing. So I tend to try and find ways not to inconvenience a whole raft of other people, so it changes my mindset a little bit.
My mom has this thing where if I'm doing anything doing dirty or crazy, she sniffs it out and yells at me. But the good thing is my mom doesn't have cable, and so much of the stuff I've done was on cable, so many times she'll miss it. I tend to gloss over the crazier things I shoot.
When you have any kind of success in life, that's like the most dangerous moment that you're in because you're going to tend to think wow, I can just keep repeating what I've done. I'm a great person. People love me. All of the sudden they're giving me all of this attention. You get drunk on it and you lose your sense of balance and your sense of detachment. I know it's happened to me.
Fresh out of college, you tend to join a company because it's a job. But, you tend to stay because it becomes a career; you start to feel at home. In the beginning of your career, you're focused on you: 'I like this place because I'm doing rewarding work; they take good care of me; the people are nice; there's runway for me,' etc.
I'm a really anxious person, so I tend not to keep secrets. I tend not to even want to hear them. It's too nerve-wracking for me to try and keep things from people.
As we get older, we tend to become more risk averse because we tend to find reasons why things won't work. When you are a kid, you think everything is possible, and I think with creativity it is so important to keep that naivety.
People without fathers tend to have two predominant characteristics. They tend to believe anything is possible. At the same time there's an anxiety and an unending insecurity. It's a very American thing because back in the past, we lost our fathers or father. The king.
One thing that's really delightful is my books tend to attract people who are funny, so I get the benefit of people writing me with things that crack me up.
It's a little challenging as a congressman to keep a low profile, but I try very hard to keep a low profile.
I keep a pretty low profile. I live in Culver City with some roommates. I don't do the whole 'Hollywood' thing.
On 'Black Mirror,' we don't tend to deal with big, powerful people, because when you look at a Weinstein or something, you think, 'Is he capable of feeling anything?'
Every day there's a lot of things I block out, because if I start visualising things, I tend to go completely insane. I've always had anxiety issues, and it can totally overwhelm me and suck me under if I'm not keeping focused. I just think and think until I have a panic attack, and then it dies down.
When movies tend to start to preach to me, I tend to shut them off, whether I agree with the message or not. I don't think the job of art is to preach, I think it's to ask questions and make people aware of differences and different ways of looking at things. That's what I want to do, anyway. Whether I'm successful or not, that's up to history.
I don't do anything to try to change people's perceptions of me. I tend to think that's sort of an ego driven thing.
The fact remains that books that really put gay people in the center, and especially books that do so in a way that is sexually explicit, tend not to get a great deal of mainstream attention: they don't tend to sell well, and they don't tend to win major awards. This makes the occasional exception, like Alan Hollinghurst, all the more remarkable.
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