A Quote by Evan Sharp

If you're designing a hammer, it's clear that it should hit a nail. But when designing a home, it's much more nuanced. You have to make sure there are qualities that nurture and enrich human life.
The same time I'm designing my collection, I'm also designing my store. It has to have brand awareness, an identity. I'm also designing the racks and the hangers, and juggling a lot of things.
In designing a lifestyle brand, you have to know more than just designing clothes.
When you have the blue screen, you've got another set of eyes, eight months down the track, designing what you should have been designing on stage with the actor.
You should know as much as you can about the human species if you have a hand in designing human society.
Of the total creative effort represented in a finished work, 75 percent or more of a writer's labor goes into designing the story designing story tests the maturity and insight of the writer, his knowledge of society, nature, and the human heart. Story demands both vivid imagination and powerful analytic thought.
Designing a car involves a lot of technical know-how as opposed to designing clothes.
In many respects, designing heirloom products means saying no to designing consumer crap that you know will not last very long.
I think that fashion has become such a big business and with globalization we are on new territory at this point. We are not just designing for a country we are designing for a world now.
When we hit a nail with a hammer, the whole of the shock received by the large head of the nail passes into the point without any of it being lost, although it is only a point. If the hammer and the head of the nail were infinitely big it would be just the same. The point of the nail would transmit this infinite shock at the point to which it was applied. Extreme affliction, which means physical pain, distress of soul and social degradation, all at the same time, constitutes the nail. The point is applied at the very center of the soul, whose head is all necessity, spreading throughout space and time.
I would never live in anything I design. Life and art are different. My life is very precious to me - my art is precious to me. I love designing things for other people, but I don't like designing things for myself.
Well, for me, it's never just been fashion designing. It's the creative challenge that keeps me going be it for my label, styling projects or interior designing.
You should know as much as you can about the human species if you have a hand in designing human society. Of course, I'm not saying that you can derive moral rules from nature - that's deriving an ought from an is, as the philosophers say - but you do need to know what kind of animals we are if you want to design a stable society.
The mantra of any good security engineer is: "Security is a not a product, but a process." It's more than designing strong cryptography into a system; it's designing the entire system such that all security measures, including cryptography, work together.
When you're designing clothing, you really only have one point of focus, and that's the body. But home is fabrics and furniture and floors and natural light. If fashion is a planet, home is more like a universe.
Designing comes easy and quickly to me. I don't need to spend hours to complete an X amount of work for me. I feel designing is in me.
You should never do two things. You should hammer one nail all your life, and I didn't do that; I hammered on a lot of nails like a xylophone.
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