A Quote by Evan Sharp
Images are really powerful in making us aware of what's possible.
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Positive images of the future are a powerful and magnetic force... They draw us on and energize us, give us courage and will to take on important initiatives. Negative images of the future also have a magnetism. They pull the spirit downward in the path of despair.
Technology today is the campfire around which we tell our stories. There's this attraction to light and to this kind of power, which is both warm and destructive. We're especially drawn to the power. Many of the images of technology are about making us more powerful, extending what we can do. Unfortunately, 95 percent of this is hype, because I think we're powerful without it.
Images are really powerful. People fall in love with images, and as a way of falling in love with someone because they're like an image.
When I first started, I wasn't really aware of anything in the industry or aware of who I really was. I just put my music out there and tried to get as many people to hear it as possible.
The Grizzlies organization did a very good job of always pushing us in directions and making us aware of things we might not have been aware of when we were young.
I became really aware that when you're making a movie, you're making it three times. You're making it when you're writing it. You're making it when you're shooting it. And then you're remaking it again when you're editing it.
When I first started, I wasn't really aware of anything in the industry or aware of who I really was. I just put my music out there and tried to get as many people to hear it as possible. I hadn't really thought about the kind of music I wanted to make.
New images surround us everywhere. They are invisible only because of sterile routine convention and fear. To find these images is to dare to see, to be aware of what there is and how it is. The photographer not only gets information, he gives information about life.
The pictures that were coming from Vietnam were showing us what was really happening on the ground level. It was in contradiction to what our political and military leaders were telling us. They were straight forward documentary images. A powerful indictment of the war, of how cruel and unjust it was. When I finally decided what to do with my life, it was to follow in that tradition.
We are aware that the conductor is not really making the music, it is making him -- if he is relaxed, open and attuned, then the invisible will take possession of him; through him, it will reach us.
Making photographs that dealt with the understanding of who I am as a gay man and dealt with the process of accepting that, and also accepting what I'm into sexually, what sexually arouses me. So I was making these images not necessarily knowing what they were about, but just putting it out there - that mode of thinking or consideration of my own desires, and also the much larger conversation around images that deal with ideas of sexuality and how those images are distributed and then accepted or understood by whoever is viewing those images.
Human beings are creators, flinging powerful images into the minds of their fellow men. And all of these images are built of tiny particles of thought.
It is not possible to engage in the direct apostolate without being a soul of prayer. We must be aware of oneness with Christ, as he was aware of oneness with his Father. Our activity is truly apostolic only insofar as we permit him to work in us and through us with his power, with his desire, with his love.
Writing is not possible without images. Yet, images don't have to be descriptive; they can be concepts.
I talk periodically with the producers at EA and I try to be as honest as possible because as great as EA does, you just don't want to hear good things. These people are really passionate about making games and making them as realistic as possible.
At that time, 73 and 74, I became aware that there were a number of us making instruments. Max Eastley was a good friend and he was making instruments, Paul Burwell and I were making instruments, Evan Parker was making instruments, and we knew Hugh Davies, who was a real pioneer of these amplified instruments.
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