A Quote by Evan Spiegel

In the future, we'd like to support upcoming artists, people that are trying to be actors. — © Evan Spiegel
In the future, we'd like to support upcoming artists, people that are trying to be actors.
People are very uncomfortable when you call actors artists because there are a lot of actors out there that aren't artists - there are a lot of actors that are hired for very specific reasons that are shallow and have to do with sexual currency and what the industry thinks sells. Real actors are artists, they're expressionists.
I collaborate with Tidal because they're for the artists - the up and coming artists and the O.G.s in the game. It's like a home, the only place we have for the artists to find support.
When the Chicago rap scene came about, I listened to all of the upcoming artists like Lil Durk, Chief Keef and G Herbo.
It feels like my job is to support people. I support great artists. When I worked with a symphony, I sat in the third chair, not the first chair.
I think I'm inspired mostly by other artists that aren't actors, like writers or singers or artists, for being so brave.
What I find kind of annoying as a woman, especially in this society, is how people like to support people who seem like they're struggling when it comes to artists.
I think that what most artists are trying to do is trying to understand. I think what distinguishes creative people and/or artists from another type of person is perhaps a willingness to go headlong into that uncertainty.
I'm drawn to talented, creative people who often just don't know how to support themselves - they're more focused on their work than trying to figure that out. So I commission a lot of works with artists who I like personally or professionally, and through that process, I wound up collecting a lot of art.
We have to show support for artists who are trying to own things for themselves.
I think for us, we don't feel like the future of music is in the act of being a record company. We feel like the future of the music business is in empowering artists to have better and better tools to communicate with their fans. We want to be people who are saying to artists, "Look, you don't need that company over there to release your album. You can do it this way." Almost more of a band partnership than a label-artist relationship. Not about ownership of content, but about empowerment.
I think it would be bad for culture and the art if artists and people who develop the apparatus to support those artists don't get paid.
Governments can help support European music by promoting public awareness that when people take music that doesn't belong to them, they undermine the future of those very artists whose work they enjoy.
There should be more funding and support for young and upcoming wrestlers.
Revolt is designed to be a home for the next generation of musical artists, and we are investing in the artists and fans of the future. Revolt is for artists, by artists. This won't just be the P. Diddy network.
I do support artists standing by their beliefs, and walking with integrity. We have to find a better way to commercially exploit music, while giving artists their proper respect. This cannot be done while taking their contributions for granted, or trying to control the scope of their growth and power through threats and fear tactics.
I do support artists standing by their beliefs and walking with integrity. We have to find a better way to commercially exploit music while giving artists their proper respect. This cannot be done while taking their contributions for granted or trying to control the scope of their growth and power through threats and fear tactics.
This site uses cookies to ensure you get the best experience. More info...
Got it!