A Quote by Evan Williams

I'm not a big-company guy. I need freedom and control. — © Evan Williams
I'm not a big-company guy. I need freedom and control.
I want to control the company, but I don't know how life goes. We are already a big company, and the larger our capitalization is, the lower goes the threshold for control.
I had started at a small startup as a big-company guy. Now I was leaving a big company as a small-startup guy.
I'm a big guy, right? But I began to realize that by actually using my body like a big guy, I couldn't control my pitches the way I wanted to.
The best thing is to go public only when you're absolutely sure that's the right move for the company. And in order to make sure that is the case, you need to have as much control over the company as possible, which means not giving up control early on.
We need to promote an ethic of work. And there's no way one guy or one company is going to be able to do it. It has to be a big hot mess - public, private, government, NGOs and smart alecks on the TV talking about it.
If you are a small company taking on a big company, you need to have a sense of humor.
You put a tattoo on yourself with the knowledge that this body is yours to have and enjoy while you're here. You have fun with it, and nobody else can control (supposedly) what you do with it. That's why tattooing is such a big thing in prison: it's an expression of freedom—one of the only expressions of freedom there. They can lock you down, control everything, but 'I've got my mind, and I can tattoo my body—alter it my way as an act of personal will.'
I've been very lucky in the freedom that I've been given. Every artist needs two types of freedom: You need the freedom to - the freedom to come up with an idea or treatment - and then you need the other half of the freedom, and that's freedom from - somebody saying, 'This is great. This is how I want you to do it.'
I've been very lucky in the freedom that I've been given. Every artist needs two types of freedom: You need the freedom to - the freedom to come up with an idea or treatment - and then you need the other half of the freedom, and that's freedom from - somebody saying, 'This is great. This is how I want you to do it'.
I need to have a great deal of control and the ability to share my control with my collaborators and grant them the freedom and the quality of work I think these people deserve. If I don't have those elements, I walk away.
We want freedom. We want freedom from the constraints of the cycles of the sun and the moon. We want freedom from drought and weather, freedom from the movement of game, the growth of plants, freedom from control from mendacious popes and kings, freedom from ideology, freedom from want. This idea of freeing ourselves has become the compass of the human journey.
I still feel there is more to this Kenny Omega character, and there are more stories I need to tell, and New Japan allows me that freedom. That is a freedom I earned through the hard work I put into the company.
Negative freedom is freedom from - freedom from oppression, whether it's a colonial power or addiction to alcohol oppressing you. You need to be freed from negative freedom. Positive freedom is freedom for, freedom to be. And that's what's routinely ignored today.
The thing about 'Bigfoot,' he's a big guy and he's agile for a big guy, but he's not that agile and he's not that athletic. In fact, being a big guy is probably his greatest asset.
When you're out there in the heat of the moment and you're pitching, and it's a big situation, you're saying 'Don't throw a ball, don't give up a hit, don't walk this guy.' But the harder you want to control something the more it gets out of your control.
So long as we need to control other people, however benign our motives, we are captive to that need. In giving them freedom, we free ourselves.
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