A Quote by Evangeline Lilly
I made a conscious decision when I was about 17 years old to strive towards mediocrity. I completely abandoned the idea of grandeur and importance, and I wanted to be mediocre.
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At 11 years old I made a very definitive decision. And my decision was that I wanted to be happy.
At 11 years old, I made a very definitive decision, and my decision was that I wanted to be happy. Above and beyond anything I ever did in my life, I wanted to be happy.
Moderation assures mediocrity -- nice, safe. Mediocrity is for the mediocre -- simple, okay. The intense rule; the mediocre follow.
I made a conscious decision to take my life and career in a different direction. I started working on a play, and also, by attending Burning Man for several years, I was incredibly stimulated by the art there. I increasingly wanted to be a part of it, and focused on what I wanted to say as an artist.
If you have not consciously made the decision to be rich, excellent, and healthy, then you have unconsciously made the decision to be poor, mediocre, and unhealthy.
I was fooled a bit during 'Laguna Beach.' I was 17, 18 years old, and I thought they just wanted to shoot a documentary, and that it probably wouldn't end up anywhere, anyway. Little did we know about the power of editing. I had no idea that it was going to be the soap drama that it was, but I picked up on that pretty quickly.
I made a conscious decision when I was about 30 that I wanted to do something different with my life. I felt a little bit lost and didn't trust people, so I decided to move to America.
Spain is so different from the United States. It seemed to have a history, and the buildings are years and years and years old. Here in the United States an old building is about 17 (years old), and over there it's from 500 B.C., it's incredible.
I made a conscious decision after I did 'The Duchess of Malfi' at the Old Vic in 2012, when my daughter was six months old, to try doing more screen work.
I left Brazil at 17 years old in order to give my family a better life, but when I returned home two years later, I was completely disillusioned with football.
I have this theory about us. When we started writing our own songs, we were 17 years old. When you're 17, you write songs for other 17-year-olds. We stopped growing musically when we were 17. We still write songs for 17-year-olds.
The very first idea I ever had about making a film... my first thought about ever being a filmmaker was when I was sixteen years old and I wanted to make a Viking movie. And I wanted to make it in old Norse, which I was studying at the time. It's odd because at that age that's a stupidly ridiculous idea 'cause how will I ever be a filmmaker.
In the Art of Dreaming Don Juan tells Carlos, "... most of our energy goes into upholding our importance... if we were capable of losing some of that importance, two extraordinary things would happen to us. One, we would free our energy from trying to maintain the illusory idea of our grandeur; and two we would provide ourselves with enough energy to ... catch a glimpse of the actual grandeur of the universe."
I made a very conscious decision to quit acting. I was on a series, and we were in the process of renegotiating. They had an idea of what they thought I was worth, and I had an idea that was quite different.
If human beings are losing every time, it doesn't matter whether they're losing to a conscious machine or an completely non conscious machine, they still lost. The singularity is about the quality of decision-making, which is not consciousness at all.
But to paraphrase Henry Drummond in Inherit the Wind, ignorance and mediocrity are forever busy, and the forces of mediocrity aren't content with being mediocre; they'll do everything in their power to prevent even the humblest of teachers and children from accomplishing anything extraordinary. For good work shines a light on the failures of the mediocre, and that is a light which terrifies those who conspire to keep our nation's children, like themselves, ordinary.
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