A Quote by Evangeline Lilly

I know I can never work in a comedy because I can't keep a goddamn straight face. — © Evangeline Lilly
I know I can never work in a comedy because I can't keep a goddamn straight face.
I love straight-face comedy or relatively subtle comedy. And then I turn around and I find myself doing very broad comedy but it's all fun and you have to keep your sense of humor and not take yourself seriously.
It is hard to keep a straight face during comedy scenes. It's considered really bad form to laugh at someone else because you can ruin their best take. But sometimes it's very hard not to.
I don't know if I'd do an action movie because I don't know if I could keep a straight face; honestly, I just think it's so silly. Like, I love watching them but I can't imagine me doing one.
When people warned me there would be long periods out of work if I became an actor, I couldn't keep a straight face because that was exactly what I had in mind.
I think the best kind of comedy is the least self conscious. I think if you just sort of let the comedy happen without the elbow nudge, did you get it, did you get it. I love straight face comedy or subtle - relatively subtle comedy.
If you remain conventional and don't change, you'll get along. You'll get along in the limited forms of insanity that exist out there. You'll never be able to keep a marriage together, you'll never be able to keep anything together, because the whole goddamn thing isn't together.
There's a very interesting article or symposium to be written on just the real difference between comedy filmmaking and non-comedy. Because, you know, when you work in comedy, you depend on audience screenings to tell you about your movie.
I primarily have had my career in comedy, and that is something that I have never been too concerned about because I know there is really no room for vanity in comedy. Comedy comes from pain and it is a lot easier to empathize with somebody who is out of shape.
I've never been someone who's been given work because of the way I look or because I have some box office appeal. I get work because people know I'm swinging as hard as I can, trying to connect, giving it my level best. I have a face for radio, but here I am doing what I do.
A silly comedy needs a straight guy, and that guy needs to be as straight as possible. The moment you start playing straight you're not straight anymore, you're bent straight, so it really requires the usual serious, straight-forward analysis and research, looking into it and finding the dramatic function, all of what you do until you feel you've collected enough points to safely and securely play the part.
I'm not at all funny. I can do dark comedy pretty well, but straight-up comedy, I don't know. I'm much darker. I've been like that since I was 3 years old
I'm not at all funny. I can do dark comedy pretty well, but straight-up comedy, I don't know. I'm much darker. I've been like that since I was 3 years old.
I think I'm known mostly for comedy because most of the work I've done is comedy and that is in turn because most of the work that is offered to me is comedy, so I end up doing more comic roles and therefore being known for them.
Always keep wiping your face with towels when you work out because I find that the more I exercise, that's when I have my breakouts. You've got to keep the sweat off because the pores are open when you're hot and can get clogged.
Comedy is the result of what's happening, not what people are doing. Because if people are doing comedy. It's embarrassing. The individual elements have to be straight-faced, serious, realistic with a firm basis. What makes it comedy is a somewhat shifted way to put it together.
I don't know how anyone can keep a straight face and say they are for deficit reduction while they insist on a permanent tax cut for the wealthiest Americans, completely unpaid for.
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