A Quote by Evangeline Lilly

If you go back to, say, the Brothers Grimm or Roald Dahl, you see so much darkness in children's material. — © Evangeline Lilly
If you go back to, say, the Brothers Grimm or Roald Dahl, you see so much darkness in children's material.
Even when he transposes Roald Dahl's 'Fantastic Mr. Fox,' he injects so much of his own personality and his own world that it becomes a Wes Anderson story, and you forget that Roald Dahl is behind the story. That's the proof of great directors to be able to digest and recreate sometimes a classic.
I've always been interested in a certain kind of sophistication in children's literature. I loved Roald Dahl; I loved the underlying nastiness of some of his - darkness of his tales.
There's a series of children's books called A Series of Unfortunate Events, which is like an incredibly dark version of Roald Dahl. I hope to start directing it.
I love Roald Dahl.
I often visit Maria Tatar's 'The Grimm Reader' for a cold dose of courage. Her translations come from the Brothers Grimm, whose now-famous collection of 'Kinder- und Hausmarchen' ('Children's and Household Tales') was first published in 1812. The book was not intended for young readers.
I think Roald Dahl had the rarest combination of talking to kids about complex emotions, and he was able to show you that the world of kids was sophisticated, complex, and had a lot more darkness than adults ever want to remember.
I loved reading Roald Dahl when I was young but I had forgotten a lot about the books. I read the 'BFG' on the iPad the other day and it was so interesting to see his descriptions of clothes and places.
I'm a massive Roald Dahl fan. I grew up reading his work and see a recurring theme - I have continued to love stuff that mixes the gruesome with a sort of humour. I'm drawn to that in my work.
I love Roald Dahl, Sharon Olds, Nizar Qabbani, who is a poet, and Junot Diaz.
I can remember exactly where I sat when my teacher first read Roald Dahl's 'James and the Giant Peach'.
Any conversation including the mention of Roald Dahl, Ray Bradbury, or Emily Dickinson is one worth getting into or at least eavesdropping.
I grew up reading Stephen King, Peter Straub, Clive Barker, Robert McCammon, Isaac Asimov's nonfiction books, and Roald Dahl.
Why do I love Roald Dahl? His voice, more than anything. It's irreproducible. It's so musical, and it's funny even when it's not trying to be, which is most of the time.
If the day gets really bad, I can always pull out fan mail. Who else gets mail where kids write to you and say, 'Dear Mr. Scieszka, we were supposed to write to our favorite author, but Roald Dahl is dead. So I'm writing to you.'
My relationship with Wilhelm and Jacob Grimm reaches far back into my childhood. I grew up with Grimm's fairy tales. I even saw a theater production of 'Tom Thumb' during Advent at the State Theater in Danzig, which my mother took me to see.
I've always liked the classic "young adult" writers like Mark Twain, Jack London, Roald Dahl, Charles Dickens. They write so clearly, and they know how to entertain.
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