A Quote by Evangeline Lilly
There are so many reasons why, for me, writing is superior to acting. One of them is anonymity. Writers can live relatively normal lives.
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We're [writers] all afraid of writing badly, and there are psychological reasons, like the bad interior of ourselves is somehow being revealed, but we all fear that, and you can't write well if you're not willing to write badly. That's why you have to make writing a habit, so it feels normal and not strange.
Why do they blame me for all their little failings? They use my name as if I spent my entire days sitting on their shoulders, forcing them to commits acts they would otherwise find repulsive. 'The devil made me do it.' I have never made one of them do anything. Never. They live their own tiny lives. I do not live their lives for them.
Writing the past is never a neutral act. Writing always asks the past to justify itself, to give its reasons... provided we can live with the reasons. What we want is a narrative, not a log; a tale, not a trial. This is why most people write memoirs using the conventions not of history, but of fiction.
Writers are outsiders, and usually not by their own choosing. It’s why they’re writers. If they didn’t feel alienated from human experience, they wouldn’t feel so drawn to writing to make sense of their lives. It’s not the outsider’s facility for language that makes her a writer — many a student body president or homecoming queen can turn a phrase — but her ability to howl at the moon, on the page.
They are very good reasons why voice acting in games can be so terrible. Writers are in a great position to be able to bridge this gap.
By explaining the difference between segregation and separation. Segregation is that which is forced upon an inferior by a superior. Separation is done voluntarily by two equals. If I have children and they live in my house, I care for them, they're dependent upon me. And their dependence upon me puts me in a position to regulate their lives, control their lives, tell them where to go, where they can't go. That's a form of segregation.
I was a bartender for a long time, so I know how to make drinks, but I'm more likely to offer them than to have them. I think this is one of the reasons why I get to live longer than my great-grandmother did, and why I get to produce more writing than she did, and why my marriage isn't in dire straits.
In my career, many a times I was not able to be part of many films, and there were many reasons for them. But I don't know why people still talk only about why I didn't do 'Bahubali 1' and '2.'
As soon as I started writing, other writers stopped wanting me acting in their shows - maybe they thought I was going to rewrite them.
What you're saying is that 'I, the superior elite, will take care of you.' Why? Because, you see, that superior, elite group needs to feel superior and elite. And they can't be superior and elite unless you have a whole lot of people down there groveling around. So you keep them down there by feeding them.
I don't think that there are very many good writers who don't live without a sense of tension. If they haven't got one immediately available to them, then they usually manage to manufacture it in their private lives.
Friends are very important to me, and I have always had many of them. There are probably many reasons why this is so, but two seem to me more valid than any of the others I am a naturally friendly person, and I hate to be alone.
I exposed people to magic. I exposed them to something they're never otherwise going to see in their boring, normal lives. And I gave that to them. I may forget about them tomorrow, but they'll live with that memory for the rest of their lives. And that's a gift, man.
Well, certainly I don't think that there are very many good writers who don't live without a sense of tension. If they haven't got one immediately available to them, then they usually manage to manufacture it in their private lives.
I feel like the writers that I'm drawn to, the writers that I really cling to, are the writers who seem to be writing out of a desperate act. It's like their writing is part of a survival kit. Those are the writers that I just absolutely cherish and carry with me everywhere I go.
I am always interested in why young people become writers, and from talking with many I have concluded that most do not want to be writers working eight and ten hours a day and accomplishing little; they want to have been writers, garnering the rewards of having completed a best-seller. They aspire to the rewards of writing but not to the travail.
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