A Quote by Eve Arden

I've worked with a lot of great glamorous girls in movies and the theater. And I'll admit, I've often thought it would be wonderful to be a femme fatale. But then I'd always come back to thinking that if they only had what I've had - a family, real love, an anchor - they would have been so much happier during all the hours when the marquees and the floodlights are dark.
I've worked with a lot of great, glamorous girls in movies and the theater. They would always give their last ounce to get where they wanted to be.
Feminism has tried to dismiss the femme fatale as a misogynist libel, a hoary cliche. But the femme fatale expresses woman's ancient and eternal control of the sexual realm. The specter of the femme fatale stalks all of men's relationships with women.
I was studying with Stella Adler, who was a great, great teacher who encouraged me to be an actor. I had thought I would just write or direct or whatever. I wasn't thinking very much of Hollywood. I was thinking only of the legitimate theatre. But then I changed.
There was this wonderful trick of going to the theater with my parents and sitting in the audience under the watchful eye of an usher, and then these other people would come on the stage: They spoke differently and had different clothes and hair. Afterward, they would come back, and they were my parents again. It was magic.
And I always had this idea for making a movie about a femme fatale, because I like these characters. They're a lot of fun, they're sexy, they're manipulative, they're dangerous.
I would have - I didn't really have to be an athlete. I could have been, you know - worked in fast food, been a janitor, anything. I would have had two or three jobs, working long hours, you know, to support myself and for my family in the future. I would have been successful.
I had read [Charles] Dickens's novels were often published serially. I thought it would be fun to write a book, just sitting down and writing a chapter every day, not knowing what would happen next. So that's how I wrote the first draft. And then of course I had to go back and make sure everything worked and change things.
If man had written the Gospels - say Shakespeare or Eugene O'Neill - the story of the gospel would have been drastically different. They would have placed the prince in halls and palaces and had him walking among the great. They would have had him surrounded by the important and significant of the time. Potentates and kings would have been His companions. But how sweetly common was the real God-man; though He had inhabited all eternity, He had come down and was subject to the rising and the setting of the sun.
I had moved across the country, taken internships, networked, worked long hours, and called in favors to get there. And I had done it. I was working in Hollywood. So imagine the melancholy I found myself in when I realized that I didn't love casting the way that I always thought I would.
I would love to play the Femme Fatale or an action role like Trinity in the Matrix or something like that. You know, a part with a lot of costume changes.
I had dinner recently with a guy who bragged that he had only gotten four hours of sleep that night. I didn't say it, but I thought to myself 'If you had gotten five, this dinner would have been a lot more interesting'
I think back at the time, if it had been 1988, I would have thought Michael and Sarah probably would have been cast but I don't think, I think it's much better that the girl is younger and if Sarah would have been 26 or 27 then.
I had someone call me this morning telling me they had somebody who would only work a certain number of hours a week because if they worked too many hours a week, then they couldn't get their government assistance.
I have always been an animal lover and I had pet dogs at home. On the day of Diwali, they would be so disturbed and scared that they would hide in a corner and would not come out. I had decided then that I would stop buying crackers on Diwali.
The scene I had just witnessed (a couple making love in the ocean) brought back a lot of memories – not of things I had done but of things I had failed to do, wasted hours and frustrated moments and opportunities forever lost because time had eaten so much of my life and I would never get it back. I envied Yeoman and felt sorry for myself at the same time, because I had seen him in a moment that made all my happiness seem dull.
Quite often - a lot of the work I had done had been extensively with women. Most especially in the theater, but also quite often in the movies. That has its own delights, and maybe pitfalls too.
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