A Quote by Eve Arnold
I look for a sense of reality with everything I did. I didn't work in a studio, I didn't light anything. I found a way of working which pleased me because I didn't have to frighten people with heavy equipment. It was that little black box and me and £5 worth of film in my pocket or maybe it was only £2 in those days.
Related Quotes
I found a way of working which pleased me because I didn’t have to frighten people with heavy equipment. It was that little black box and me.
I'm always able to find light moments on any set, no matter what. Just because a scene is heavy doesn't mean that you have to be heavy, all day long. I was working with people who had a sense of humor and wanted to have those light moments with me.
My direction as a person working in film has been to never get comfortable with anything I was doing. At the time that I decided to do action films, people were telling me, "Well, you can't do it. You're not that type. It's not going to work." And so obviously that made me think, "Well, that's not comfortable. Maybe I should try it. What can I do with it?" So I did that, and I'm glad I did it. I'll probably do it again, and I did other kinds of things that seemed like challenges for me, because I like being on the high wire.
We were studying at Newport Film School, and I found that the only way for me to make films - because you need people and you need equipment - was that I had to be a student.
The physicality was important to me. Because the film has Shane Black's dialogue, and [Robert] Downey's delivery, and you look at [Jon] Favreau, Don Cheadle and Gwyneth [Paltrow], it is this heightened level with a comedic aspect to it. Everything is grounded in reality, but it plays a little heightened.
My father identified as a black man. No one asked him because he was clearly black. But people always ask me. If we were together, people would look at us in a really strange way. It sucked. As a little girl I had blond hair and they'd look at me, look at him, and be disgusted.
I went mainstream in a major way with the song "Let's Dance." And what I found I had done was put a box around myself. It was very hard for people to see me as anything other than the person in the suit who did "Let's Dance," and it was driving me mad - because it took all my passion for experimenting away.
The special effects team designed everything, which basically allowed me to stand on a green box and look and stay relatively expressionless and all these machines did the acting for me. Just the way I like it (laughs)
No Difference Small as a peanut, Big as a giant, We're all the same size When we turn off the light. Rich as a sultan, Poor as a mite, We're all worth the same When we turn off the light. Red, black or orange, Yellow or white, We all look the same When we turn off the light. So maybe the way, To make everything right Is for god to just reach out And turn off the light!
At least I know that one film-maker in my career has had the initiative to come to me and thought of me as being capable of doing interesting and complicated work, and so I have a new-found belief that other film-makers will see me in a different way, the way that Patty did.
I like the way black looks. I think I look better in darker clothes. And maybe the fact that I wear black so much makes me more aware of putting people at ease. The black is sort of the bad-guy guise, so I work overtime to make people comfortable.
Let me... remind you that it is only by working with an energy which is almost superhuman and which looks to uninterested spectators like insanity that we can accomplish anything worth the achievement. Work is the keystone of a perfect life. Work and trust in God.
I cannot bear to look at a film that I made before 1990. Maybe 1985. There's no sense even trying to explain it. I really just can't watch myself. I see all the machinery at work and it just drives me nuts, so I don't look at anything.
I have 60 people working for me in my studio. That's luxury if you ask me. I just dream. Tell those people that I want a certain thing. Those people will then invest days, and sometimes months, in bringing that idea to life. What more could you ask for? That's luxury for me.
My style hasn't changed much in all these sixty years. I still use, most of the time, existing light and try not to push people around. I have to be as much a diplomat as a photographer. People don't often take me seriously because I carry so little equipment and make so little fuss... I never carried a lot of equipment. My motto has always been, "Keep it simple".
I went into science, ending up with a Ph.D. in cell biology, but along the way I found out that experimental science involves many hours and days and nights of laboratory work, which is a lot like washing dishes, only a little more challenging. I was too impatient, and maybe a little too sloppy, for it.
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