A Quote by Eve Arnold

If a photographer cares about the people before the lens and is compassionate, much is given. — © Eve Arnold
If a photographer cares about the people before the lens and is compassionate, much is given.
If a photographer cares about the people before the lens and is compassionate, much is given. It is the photographer, not the camera, that is the instrument.
If the photographer is interested in the people in front of his lens, and if he is compassionate, it's already a lot. The instrument is not the camera but the photographer.
Once the law, properly enacted, is routinely ignored, and ignored with the blessing and the promotion of the political class, then you have a breakdown of organized society. And there is nothing compassionate about what's happening to the people of Arizona. There is nothing compassionate about the violation of private property rights. There is nothing compassionate about the abuse of the taxpayer. There is nothing compassionate about the closing of schools and hospitals. Nothing at all compassionate about increased drug trafficking and crime. Nothing compassionate about that at all.
So much of this league is just about alignment. Who cares what you believe in, who cares what your culture is, can you get a group of people that are aligned?
It is essential for the photographer to know the effect of his lenses. The lens is his eye, and it makes or ruins his pictures. A feeling for composition is a great asset. I think it is very much a matter of instinct. It can perhaps be developed, but I doubt if it can be learned. To achieve his best work, the young photographer must discover what really excites him visually. He must discover his own world.
I think it's important for people to understand that dance, movement, choreography is about an experience and entertainment but it's also about perception and a lens. So when we're talking about a Black female's experience through a Black female's lens, that's going to be totally different from a Black female's perspective through a Black male's lens.
We are the strongest filter we can place before the lens. We point the lens both outward and inward.
Fantasy isn't something I put into the pictures; I don't try and inject them with a sense of play. But it's about being an honest photographer; a photograph is as much of a mirror of the photographer as it is the subject.
We continually encounter hardships. People disappoint us. We disappoint ourselves. But God is constant and compassionate. We are not alone. He cares. Against all reason, the transcendent God loves us so much that He has committed Himself to us.
Prayer reminds me it's not just about me. It's about all the people with whom I share this planet, and all of whom God has created, and all of whom he cares just as much about as he cares about me.
There's a lot of people talking about elitism and all of that.Yes, I went to Princeton and Harvard, but the lens through which I see the world is the lens that I grew up with. I am the product of a working class upbringing.
One respect in which I'm very much my father's son is how I feel about Joyce. 'Ulysses' is very much about daily life, when you get into this other guy's life and you learn about the things he cares about, and why he cares about them. And then, very indirectly, very subtly, you learn why politics has impacted his life, too.
Composition is what's similar between being photographer and director. As a photographer, you're sort of doing everything - you're directing the lights and you're framing and you're moving around. The hardest thing to learn as a director is how cameras have to move. You have to have patience, you have to learn how to look through the lens and then you have to learn to combine all of the compartments into one great image.
I'm a real person that cares about his art and cares about what he's doing. I have a heart and a soul and I want to touch people and give.
I am a real person that cares about his art and cares about what he's doing - I have a heart and a soul and want to touch people and give.
We have a double standard, which is to say, a man can show how much he cares by being violent-see, he's jealous, he cares-a woman shows how much she cares by how much she's willing to be hurt; by how much she will take; how much she will endure; how suicidal she's prepared to be.
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