A Quote by Eve Ensler
When you destroy a population, once femicide happens, we're going to see the end of humanity, because I don't know how you sustain a future without vitalised women.
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I would love to see more women directors because they represent half of the population - and gave birth to the whole world. Without them writing and being directors, the rest of us are not going to know the whole story.
I think the best way to control a population is to urbanize and to educate women. We have seen historically in many, many countries that once women are educated and have opportunities, and that happens when they live in cities and once they improve their economies, they no longer want to have eight kids. They want to have one or two or maybe three. And that is much more sustainable for them because they have other opportunities.
I think the best way to control a population is to urbanize and to educate women. We have seen historically in many, many countries that once women are educated and have opportunities, and that happens when they live in cities and once they improve their economies, they no longer want to have eight kids.
I want women to really look like women from today. It's not from the past and not from the future, because I don't know what happens in the future. It is the woman of today (who) I think is a seductive woman.
God certainly knows of some happiness for us which He is going to bring out of the trouble, only we must have patience and not run away. And then all at once something happens and we see clearly ourselves that God has had some good thought in His mind all along; but because we cannot see things beforehand, and only know how dreadfully miserable we are, we think it is always going to be so.
Human beings can't see anything without wanting to destroy it. That's original sin. And I'm going to destroy it. Death is going to die.
We know how unhealthy it is. I know what happens, though - young women start smoking because they don't think they're really going to keep smoking.
I love television because it's the most alive, because you don't know how it's going to end. It's a living thing. Sometimes the writers are watching you to see how things will unfold. Sometimes the writers have written it, and you come to it, and they have to change their way of going because of what you've done.
I would love to see more women directors because they represent half of the population and gave birth to the whole world. Without them the rest [of the world] are not getting to know the whole story.
Simple and more frequent dates allow both men and women to ‘shop around’ in a way that allows extensive evaluation of the prospects. The old-fashioned date was a wonderful way to get acquainted with a member of the opposite sex. It encouraged conversation. It allowed you to see how you treat others and how you are treated in a one-on-one situation. It gave opportunities to learn how to initiate and sustain a mature relationship. None of that happens in hanging out
If our players start to see coaching as a dead end, where is the next Ferguson, the next Clough or Shankly? It's sad. How will players see a pathway, how are they going to see a future if even the England job goes abroad?
But, it has something to do with having belief in a human future and what that human future is. What is the future of humanity? How does this whole experiment not self-destruct with the environment and everything else going on?
Black people in America have to, for their own protection, develop a defense mechanism, and I just grew terribly tired of it. When you sustain that kind of affront, and sustain it and sustain it and sustain it, something happens to you. You try to steer a course in American society that's not self-destructive. But America is a country that inflicts injury. It does not like to see anything that comes in response, and accuses one of anger as if it were an unnatural response. For anyone who is not white in America, the affronts are virtually across the board.
Hungary does not need a single migrant for the economy to work or the population to sustain itself or for the country to have a future.
I don't see how anybody starts a novel without knowing how it's going to end. I usually make detailed outlines: how many chapters it will be and so forth.
How those fires burned that are no longer, how the weather worsened, how the shadow of the seagull vanished without a trace. Was it the end of a season, the end of a life? Was it so long ago it seems it might never have been? What is it in us that lives in the past and longs for the future, or lives in the future and longs for the past? (from "No Words Can Describe It")
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