A Quote by Eve Torres
As far as lighting and blocking, camera angles and facial expressions, all that stuff that has to be very specific in film, as opposed to in wrestling where everything is larger than life and you're performing to the masses.
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I'm not, like, an English speaker, so I have confidence in my wrestling skills, also, like, body language, hand gestures, facial expressions. I put all of my emotion in my wrestling.
Wrestling is a universal language. The moves, the facial expressions, most people understand.
In silent films, quite complex plots are built around action, setting, and the actors' gestures and facial expressions, with a very few storyboards to nail down specific plot points.
In silent films, quite complex plots are built around action, setting, and the actors gestures and facial expressions, with a very few storyboards to nail down specific plot points.
I know how to play comedy when it's needed. So even when it's really not there, my facial expressions are really great. I have a lot of facial expressions in my face, you know.
I worked on 'Sarah Connor' even longer than 'Firefly.' And I always remembered how generous everyone was to me when I didn't know what to do, and I didn't know the rules, and I didn't know camera angles, and I didn't know lighting.
Like Godfather, you look at a movie like that, or something that James Gray has directed, a film with minimal or pin lighting as opposed to everything being lit bright and flat, where everything is evident
Like Godfather, you look at a movie like that, or something that James Gray has directed, a film with minimal or pin lighting as opposed to everything being lit bright and flat, where everything is evident.
Euphonic and harmonious expressions, forcible and just expressions, profound and comprehensive expressions, and especially apt and witty expressions, each have their specific influence upon different minds, and their common influence upon all minds.... It is therefore high time our most valuable aphorisms and paragraphs were put in order for frequent perusal, and for handy reference, as the circumstances of life call up subjects.
I do like being in front of the camera more and more. Having experience behind it has taught me about lighting and angles, how to move, and what looks good and what doesn't.
Though we cannot SEE angles, we can INFER them, and this with great precision. Our sense of touch, stimulated by necessity, and developed by long training, enables us to distinguish angles far more accurately than your sense of sight, when unaided by a rule or measure of angles.
A double leg in MMA is completely different than what you would do in wrestling because the posture's different. You're standing upright as opposed to bent over; you're slipping a punch as a opposed to grabbing a guy's elbow and doing a traditional elbow pull or slide-by in wrestling.
You cannot do everything you want with the 3D camera, it's too big, and the digital quality of those cameras is a little bit limiting. With film, you have a lot more subtly, like with highlights and color. In terms of sharpness they (both formats) are very close; but in terms of nuance, of color and contrast, film is far superior.
I became very famous, as a teenager, and my name and photo were splashed in all the media. They made me larger than life, so I wanted to live larger than life, and the only way to do that was to be intoxicated.
Just the fact that there's motion and sound, took me a long time on Walking Dead to get used to the fact that in television, characters don't have to say things. In comics, people have to say I feel this way, or I want to do this, and you can do so much with gesture and movement and facial expressions that you can do sometimes facial expression stuff in comics, but you can do so more if somebody can move around without actually speaking. That leads to a different style of writing between the two mediums.
I wouldn't want to do a Bollywood film per se, but I would like to do an Indian-language film. For some reason I think Bollywood has become synonymous with commercial cinema, which is song and dance and everything that is larger than life, and I am interested in the reality.
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