A Quote by Evel Knievel

Titanic Thompson and Amarillo Slim would have run from a game with Marty Stanovich. Marty could really play, and he didn't cheat. — © Evel Knievel
Titanic Thompson and Amarillo Slim would have run from a game with Marty Stanovich. Marty could really play, and he didn't cheat.
Marty Stanovich was an honorable man.
I don't see this as Marty [St. Louis] replacing me. I see this as Marty getting the opportunity he deserves.
Our professor was Marty Scorsese. Marty was a graduate student, or Mr. Scorsese, which is what I had to call him, and still do when I see him 'cause he gave me a C.
I'm a big Marty Robbins fan. I love Marty Robbins. Of course, everybody does. That's not such a big shock.
My agent at the time, Mike Medavoy, before he became a movie mogul, called me up and said, how about a movie with you and Peter Boyle and Marty Feldman? And I said, well, what makes you think of that? He said because I now handle you and Peter Marty.
Nothing will ever replace the feeling I got when Jesse Orosco struck out Marty Barrett to end the game (Game 7 of the 1986 World Series) and I got the opportunity to run out into his arms. To me, that was the greatest accomplishment. Without a doubt, that was my biggest thrill.
When Marty Short and I get together, I sit down at the piano and play the score of 'Godspell.'
Marty Robbins was one of the first singers that really hit me hard.
I have been active as a writer and journalist for nearly forty years. But the number of great reporters I have run across in that time would make, as they say, a slim book. Without question, the top man on my list would be Tommy Thompson.
I love Marty Funkhouser - but what is he?
My mother named me for Marty Robbins.
I'm friends with Dierks Bentley. Aside from that, I don't really know anybody else in the country music field, really. I've met the Lady Antebellum people and I met Marty Stuart briefly once. He's really nice, but I don't know any of them, really.
Cinema is a visual language, and you're always looking for visual metaphors for things. You know, if I was writing a play about Howard Hughes, I could have him give a monologue about how he's terrified to touch a doorknob. But on screen, you know, working with Marty Scorsese in 'The Aviator,' that became the series of images that told a story.
Marty Russo was too good a golfer to be a servant of the people.
Sometimes a producer and an artist get together and they make magic like Quincy Jones and Michael Jackson. As far as my own music career - you could liken my chemistry with Timbaland to Marty Scorsese and Robert De Niro.
I'm very close with Brian Davis, Thomas Hill, and Marty Clark.
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