A Quote by Evelyn Glennie

When I was 12, I happened to see a schoolmate playing percussion, and it looked interesting. I asked for lessons, and it felt right. — © Evelyn Glennie
When I was 12, I happened to see a schoolmate playing percussion, and it looked interesting. I asked for lessons, and it felt right.
My son Wesley has just turned 13. He was 12 during the recording of this record and he is quite a drummer already and has been studying drums since he was four, but he's also very interested in African percussion and studies percussion.
[When asked how he's keeping his 12-year marriage to wife Jill fresh] Hookers, drugs. We're playing the field right now.
Kids below 10 or 12, I think they just need to learn by playing at golf. Later on, in high school, when they develop muscles and everything, that's when they need to see about getting lessons.
My family was always playing music; I always enjoyed it. My cousin, who is a little older than me, he started playing music, so I wanted to, also. I asked my dad for a guitar, and he got me a banjo, so that was my introduction to playing. I played it like a guitar. I had a few lessons, learned out a few chords, and figured it out right away.
According to my parents, I just started drumming when I was two. I traveled with them from five to seven on the road, playing percussion. Between 8 and 12, my dad sort of prepared me by teaching me every aspect of road life.
I think when I first realized that something interesting had happened was probably in 1994. There was a 25th anniversary of the ARPANET celebration and... somebody asked the question, 'Where did email come from?' I remembered that I had done this little program back in 1971. People looked back and nobody could find anything that predated it.
I saw him playing on television and was struck by his technique, so I asked my wife to come look at him. Now I never saw myself play, but I felt that this player is playing with a style similar to mine, and she looked at him on Television and said yes, there is a similarity between the two...his compactness, technique, stroke production - it all seemed to gel!
When i was 12 all of my friends had girlfriends and i didn't, i felt lonely so i asked my mom to date me.
We both [with Suzanne Collins ] felt strongly that you wouldn't want to age up the characters, no matter the age of the actors playing the roles. They should be playing the age that they are in the [Hunger Games] books. It would let people off the hook, if you said, "Well, instead of 12 to 18, why don't you make them 18 to 25 or 16 to 21?" If you don't stay true to the horror of the fact that they are 12 to 18, you're not doing justice to the book.
When 9/11 happened, 12 of our neighborhood firemen were killed. I looked around at the country that had adopted me and I became an American.
I was just a very emotional player. I wore my emotions on my sleeve. I pretty much told you how I felt. I didn't mince words, so to speak. If I felt bad, I let you know that I felt bad. If I felt you were playing sorry, I told you. If I was playing sorry, I told myself that. I came from an era when losing really hurt. I didn't see anything good about it.
You can take lessons to become almost anything: flying lessons, piano lessons, skydiving lessons, acting lessons, race car driving lessons, singing lessons. But there's no class for comedy. You have to be born with it. God has to give you this gift.
I really enjoy playing the piano. I took lessons throughout middle school, but I had to drop the lessons. I actually got too busy, but I hope to pick up the lessons when I'm in college if I can.
That was one of the lessons I had to learn - just relax and play. Don't worry about what's happened in the past; don't worry what's going to happen in the future. You are playing a game you dreamed your whole life about playing. There's no sense in ruining it by worrying or doubting.
I loved playing football. In this particular match the ball happened to hit my right eye, the only one which I could see light and colour with.
The risk is only in the outcome. You're going on a journey. You're going somewhere to play. And at that time, it felt right to spend that 11 or 12 days exploring this kind of role because it was so different and so challenging for me. It was really exciting to be able to show people, "Look, this is very different. Isn't it interesting?"
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