A Quote by Evelyn Keyes

I got to star in my own movies. I even had my name above the title in some cases. But what am I known for? My bit part. — © Evelyn Keyes
I got to star in my own movies. I even had my name above the title in some cases. But what am I known for? My bit part.
Getting that debut film is definitely harder than someone who has got a known last name. I mean some star kids don't even audition.
I made a decision back in 1978 that, in a trade off for money when I directed Halloween, I would have my name above the title in order to basically brand these movies my own.
To get your own chatshow, with your name in the title, my arena tour last year - that was another goal for me - I got my own radio show, again with my name in the title... Apart from rehab, there isn't really much on my to-do list!
I have chosen my own title for my name and it will be that of my mother. I will henceforth be called Kanmani Raghava Lawrence in my forthcoming movies! Nothing can bring me more happiness than my mother's name. No title can be equal to this!
A lot of people they don’t know that Africans even named the stars, that different peoples, different so-called native peoples, have their own names for the stars, and have star charts just as accurate as the Chinese star charts, which are more ancient than the European star charts or even the Arabic ones or the star charts of the New World civilizations. Everybody’s got their own cosmology. Everybody’s got their own description of the universe.
East Hampton happens to have been the first place in the world where I was a star, a real star with a star pasted above my name on the dressing-room door.
When I was growing up and until I got married, I had some times when I felt a bit lonely and a little bit isolated - even after I got married.
The first time probably people really were aware of me, I unfortunately had the title of Showtime's Funniest Person in America. And that's a really tough title to travel around with when you're not even known.
I wrote an article not so long ago that was published in the Los Angeles Times, and I think I titled it "Movies vs. History." But I think they had another title for it. I got sort of sick and tired of seeing movies that got picked apart by people because they had taken dramatic or poetic license and I said "These people don't understand the distinctions."
Once I even took the train to Utrecht, forty miles from Amsterdam, with my yellow star, this star which I still have. Why did I go? I just wanted to visit some friends. I was a little bit crazy, a little bit insane.
I am star-struck but also I've known a lot of people for a long time. Like I'm super star-struck by Grant Lee Phillips and Jon Brion but I've known them for 17 years. So it's kinda like weird to be star-struck still, but I still am!
I would rather do three or four small parts every year as opposed to some of the lower-hanging fruit that might get my name above the title.
Let's be real: it's not always the No. 1 contenders who get the title shots. It's who they invest money in and who's kind of a known name. In the lighter weights, just being that I fought seven title fights in a row, I think I'm that guy.
When a really new product comes along, it's almost always a mistake to hang a well-known name on it. The reason is obvious. A well-known name got well-known because it stood for something. It occupies a position in the prospect's mind. A really well-known name sits on the top rung of a sharply defined ladder. The new product, if it's going to be successful, is going to require a new name. New ladder, new name. It's as simple as that.
We were raised without movies, theater or music. We had only nature, the hills, the trees. When I got on the set of 'Manon,' I wasn't star-struck because I didn't know what a star was.
When I first set out to make movies, that's what I thought I was going to do - make movies that mean something. And each movie had its own message, some stronger than others. Even 'X-Men' has its own message of tolerance.
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