A Quote by Evelyn Waugh

We are American at puberty. We die French. — © Evelyn Waugh
We are American at puberty. We die French.
In Paris, AIDS was dismissed as an American phobia until French people started dying; then everyone said, 'Well, you have to die some way or another.' If Americans were hysterical and pragmatic, the French were fatalistic: depressed but determined to keep the party going.
I started puberty very late. I was nearly sixteen. And for complicated reasons this late arrival of my puberty caused me to stop playing competitive tennis. But before my puberty problem, I had trouble with my lower back and with my left testicle.
My way of remaining French was the financing scheme I used for Quest for Fire, with Fox funds, since it started as a 100% American production. The film was not in French and yet was French in style, reflecting my personality.
When you set a play in the French Quarter in New Orleans, it's hard not to acknowledge the whole African-American, French, white mixing of races. That's what the French Quarter is: it's a Creole community.
At one point, in one of the kitchens where I worked, I was the only American pastry cook. They treated me poorly. 'You're stupid. You're American. You don't get it.' They'd speak French all day. At one point, my boss said to me, 'You learn French or get out right away.'
In your teens, you get the physical puberty, and between 28 and 32, mental puberty. It does make you feel differently.
But puberty was... well, before puberty, at school, I didn't tell kids I was a transvestite 'cause I thought they might kill me with sticks, you know?
In comparison to the French Revolution, the American Revolution has come to seem a parochial and rather dull event. This, despitethe fact that the American Revolution was successful--realizing the purposes of the revolutionaries and establishing a durable political regime--while the French Revolution was a resounding failure, devouring its own children and leading to an imperial despotism, followed by an eventual restoration of the monarchy.
The American Republic and American business are Siamese twins; they came out of the same womb at the same time; they are born in the same principles and when American business dies, the American Republic will die, and when the American Republic dies, American business will die.
I had been on puberty suppressants and hormone suppressants, so I did not go through male puberty.
We need French chaplains and imams, French-speaking, who learn French, who love France. And who adhere to its values. And also French financing.
When I arrived at Columbia, I gave up acting and became interested in all things French. French poetry, French history, French literature.
The transformations of the French empire itself or of French power structures themselves as well as the emergence of a kind of language of equal rights starting with the American Revolution and the French Revolution provided an opportunity and in some ways connected with other kinds of ground level desires or hopes and ideologies for freedom that were coming out of the plantation regime itself.
When I was a child, I grew up speaking French, I mean, in a French public school. So my first contact with literature was in French, and that's the reason why I write in French.
The men who died at D-Day did not die shoulder-to-shoulder with their French comrades. They died to liberate the French from a sinister and brutal occupation.
I had always studied French and was obsessed with French films. I hated the way American films always had happy endings. I liked the way French films had dark and unpleasant characters; it was much more realistic.
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