A Quote by Evelyn Waugh

Almost all crime is due to the repressed desire for aesthetic expression. — © Evelyn Waugh
Almost all crime is due to the repressed desire for aesthetic expression.
Mathematics as an expression of the human mind reflects the active will, the contemplative reason, and the desire for aesthetic perfection.
Beauty is the main positive form of the aesthetic assimilation of reality, in which aesthetic ideal finds it direct expression.
The law which attempts a man's life [capital punishment] is impractical, unjust, inadmissible. It has never repressed crime - for a second crime is every day committed at the foot of the scaffold.
Mathematics as an expression of the human mind reflects the active will, the contemplative reason, and the desire for aesthetic perfection. Its basic elements are logic and intuition, analysis and construction, generality and individuality.
Behind the aesthetic form lies the repressed harmony of sensuousness and reason
[T]hus one should not think that desire is repressed, for the simple reason that the law is what constitutes both desire and the lack on which it is predicated. Where there is desire, the power relation is already present: an illusion, then, to denounce this relation for a repression exerted after the event.
Discrimination due to age is one of the great tragedies of modern life. The desire to work and be useful is what makes life worth living, and to be told your efforts are not needed because you are the wrong age is a crime.
He whose sin is due to desires, then have hope for him. And he whose sin is due to pride, then fear for him - because Nabi Adam disobeyed due to desire and was forgiven, and Iblis sinned due to pride and was cursed
Evidence that [feminine aesthetic preferences and ways of expressing oneself] may be hardwired comes from the fact that they typically appear early in childhood and often in contradiction to one's socialization. […] This indicates that some aspects of feminine verbal and aesthetic expression precede and/or supersede gender socialization.
Most people seem to assume that this dramatic surge in imprisonment was due to a corresponding surge in crime, particularly violent crime.
I wrote about Freud and the process of sublimation, which is when you learn to stop breast-feeding, or stop going to the toilet whenever you want to. It's about learning to repress a desire for instant gratification. And in a repressed society, artists fulfil a sense of harking back to instant gratification, or immediate expression, by doing things that function on the edge of society, or outside of what is conventionally accepted.
Multiculturalism for any western country is a massive issue. The lack of integration, the increase of crime, violence, and mistrust in society, the segregation created due to mass immigration, these are only the beginning phases of something I fear will almost certainly get more worse and violent.
A sentence of death and infamy was often founded on the slight and suspicious evidence of a child or a servant: the guilt [of the defendant] was presumed by the judges [due to the nature of the charge], and paederasty became the crime of those to whom no crime could be imputed.
Mathematics as an expression of the human mind reflects the active will, the contemplative reason, and the desire for aesthetic perfection. Its basic elements are logic and intuition, analysis and construction, generality and individuality. Though different traditions may emphasize different aspects, it is only the interplay of these antithetic forces and the struggle for their synthesis that constitute the life, usefulness, and supreme value of mathematical science.
All societies have these cases. There are many, many crime cases that remain famous from the times of the Romans. The Bible is full of crime stories. You can almost flip to a page. Joseph being sold into slavery by his brothers is a crime story. The Bible is full of crime stories.
There was this interesting quote: try and live your life without fear and desire. It's this concept that's like when you look at a painting in a museum and you are held in aesthetic arrest. So the I, the ego, is stripped, is gone. The observer and thing become one. That's where fear and desire come in because you don't want to own it, possess it, desire it, and it's not moving you to fear. It's like you're in this harmonious state with the object.
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