A Quote by Evie Wyld

I think there's over-telling sometimes, in fiction. For instance, I'm a big fan of horror movies, but I could always lose the last third of them. There's the brilliant exciting scary thing that's going on, and then they have to show you the monster, and the monster turns out to be a giant spider from space and then you push it over and it's dead. It becomes mortal and it has human needs and it always sort of feels like a shame. Maybe because of all the cop shows and such, we're a generation that needs to have problems solved for us in fiction.
I love horror comedies, and I love horror movies. In particular, I love horror movies from the '80s that have practical monsters in them. They're not just slasher movies with people going to kill people in people's houses. I do like these ridiculous monster movies. They're scary, but they're absurd. I had a lot of fun in my 20's, watching a lot of these movies late at night.
I love horror comedies, and I love horror movies. In particular, I love horror movies from the '80s that have practical monsters in them. They're not just slasher movies with people going to kill people in people's houses. Although I do like 'The Last House on the Left,' and things like that, I do like these ridiculous monster movies.
Really, Mexico City has always been this big, complex monster of a city that has always had real problems and needs, and I've always found my way through it in different ways.
In horror films, they sometimes don't show the monster because our imaginations and our own pain is so much greater. Social media is like that. I think it's so great. It doesn't have to show a monster - when you see someone leaving a mean comment, or living a so-called perfect life, you just put all of your pain into that.
There's always been a little bit of tension between the writers of science fiction literature and then science-fiction televised shows or movies, partly because they have a different dynamic.
I was a street kid, basically. But really, Mexico City has always been this big, complex monster of a city that has always had real problems and needs, and I've always found my way through it in different ways.
In the second half of primary school, I liked live-action shows and giant-monster movies, and then in junior high, I got into regular movies.
I'd love to do a movie where the monster is human, where the issue is not otherworldly, or horror or science fiction.
It seems like every few years a big name author will holler something about how evil, heinous, and morally wrong fan fiction and fan fiction writers are, and then the Internet gets all upset and shocked, and then the author is shocked that people could get so upset.
I've had shows where you think, "Is this going well? I can't tell," and then you say goodnight and you get this ovation. They're sorta like a theater audience. I've learned that much; that they're not always going to be doing backflips - but I'll never figure it out. Because sometimes you walk up there, and they're so excited, and then other times, it's just... But sometimes an audience is bad, and you can tell them they're bad, and that sort of breaks the ice a bit.
Telling ourselves that fiction is in a sense true and at the same time not true is essential to the art of fiction. It's been at the heart of fiction from the start. Fiction offers both truth, and we know it's a flat-out lie. Sometimes it drives a novelist mad. Sometimes it energizes us.
My favorite monster has always been the zombie. They are so much fun. They can be scary, pathetic, sad, funny, tragic, even heroic. They are the most elastic monster because, even with all of that, they don't interfere with telling stories about the humans. They serve as threats and metaphors, but they allow the story to be about people.
If you go all the way back, I've always written science-fiction, I've always written fantasy, I've always written horror stories and monster stories, right from the beginning of my career. I've always moved back and forth between the genres. I don't really recognise that there's a significant difference between them in some senses.
I have always been intensely uncomfortable with the idea of a science fiction writer as prophet. Not that there haven't been science fiction writers who think of themselves as having some sort of prophetic role, but when I think of that, I always think of H.G. Wells - he would think of what was going to happen, and he would imagine how it would happen, and then he would create a fiction to illustrate the idea that he'd had. And no part of my process has ever resembled that at all.
When I was a child, I thought I was going to be a paleontologist because I loved dinosaurs. I loved monster movies and sci-fi, and then 'Star Wars' came out, and I was completely out of my mind with that, with 'Close Encounters,' and then I thought maybe I was going to go into special effects makeup, which I thought was awesome.
Your life isn't about doing one perfect 'thing' and then falling down dead. It's more like going to church or writing a book. You do it over and over, always trying to be a little bit better. Then you die.
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