A Quote by Ewan McGregor

I don't like the idea of not being able to knock about the town, you know. — © Ewan McGregor
I don't like the idea of not being able to knock about the town, you know.
I love the idea of not being able to afford something and just making your own version or buying a cheap knock-off instead.
I love the idea of a woman being able to discover the idea of power this way, on such a scale. And I don't know about that, what it means - well, I guess I'd better, or my part's in trouble.
It's a shame about California, and particularly about L.A., where they've demolished so many landmarks. It's a bit of a disease there, where if anything is over 30 years old, they sort of knock it down and replace it. It's a strange town, it's this sprawling suburb, and then there's a city, the old town.
My major contribution to the format was to suggest that I be able to step out of the plot and speak directly to the audience, and then be able to go right back into the action. That was an original idea of mine; I know it was because I originally stole it from Thornton Wilder's play Our Town.
Being a lawyer, even in a city as large as Chicago, is like being a citizen of a small town. I love watching the life of the town play out. You know, the rise and fall of individual lives in the entire community is just fascinating to me.
I like to wear a "Do Not Disturb" sign around my neck so that little kids can't tell me knock-knock jokes. "Hey, how ya doin'? Knock-knock." "Read the sign, punk!"
In 10 years, I don't really know what I'll be, and I like not having any idea. I like the idea of being so passionate about everything I do and the fact that I might wake up tomorrow and say 'I want to be a chef,' and just pour myself into that.
We had the same kind of unemployment here as they had in the worst hit places in the North and you're meant to be on a cushy wicket in the South. If you go up to Newcastle, you can tell that the town's really had money, or Liverpool, you know, the northern towns have got grandeur, whereas Medway, being just a sort of garrison town and dockyard town, you don't have anything like Earl Grey Square or anything like that.
As a performer, I'm constantly fascinated with the idea of being able to know what anybody else's experience is, and how misleading all informatives, like appearance, can be.
Being able to sign for a club like Bayern Munich is exciting. I've been dreaming about this since I was a kid. Those are the guys that - you know - as a kid, I was looking up to. Watching them on TV, playing with them on FIFA. Getting to be able to meet them and being able to play on the team is just exciting.
I like being able to walk into an old town and find good local food.
Before I drop in, I tend to knock on my snowboard. You know how when you jinx yourself, they're like, 'Knock on wood.' My snowboard's wood, so in case I jinxed myself sometime in the past, I just knock on my board. It just makes me feel a lot more comfortable.
Most people think it's all about the idea. It's not. EVERYONE has ideas. The hard part is doing the homework to know if the idea could work in an industry, then doing the preparation to be able to execute on the idea.
The strange thing about being an actor is it's almost a little dangerous to invest in an idea. I think once you invest in the idea of where someone is going, then you're not fully open to being able to play the opposite of that if that's what the character is going to do.
The idea of being a feminist-so many women have come to this idea of it being anti-male and not able to connect with the opposite sex-but what feminism is about is equality and human rights. For me that is just an essential part of my identity. I hope [Girls] contributes to a continuance of feminist dialogue
I feel good about being able to take bluegrass on to television like 'Letterman' and 'The View,' and I've heard nice things about being able to do that. I really haven't felt any negativity toward me or my music.
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