A Quote by Ewan McGregor

I'm not a guy who takes films for strong political messages. — © Ewan McGregor
I'm not a guy who takes films for strong political messages.
My zombie films were all sort of satirical, with political messages. So I was doing them inexpensively and quietly off in left field somewhere.
None of what I do is political. My messages are social and human messages. In many cases, they've been politicized but they are so much bigger than that.
Alan Rickman has a huge presence in the Perfume: The Story Of A Murderer and takes an enormous amount of space with no effort. I wanted somebody to leave behind a strong impact and be a threat for Grenouille. When Alan takes to the screen, we immediately know there's an intelligent, instinctive and powerful force, so if he's pursuing our main guy then our main guy is in trouble.
The vampire or the bad guy, that's what people do remember. Lars von Trier, like Guy Maddin, their films are made for a group of exclusive people who like special films. And they are special films, they are art films. And I started with commercial films at the beginning, and later on, because you know, when you are an actor, you have the same cliché like everybody else, you want to be in big films, you want to be known and all that.
When I was young I was constantly reading walls; I took in everything written on walls, from love messages to political messages. It was my hobby and became my art.
George Orwell is half journalist, half fiction writer. I'm 100 percent fiction writer... I don't want to write messages. I want to write good stories. I think of myself as a political person, but I don't state my political messages to anybody.
I'm a guy with a strong political opinion but I'm not a white nationalist.
San Francisco can start right now to become number one. We can set examples so that others will follow. We can start overnight. We don't have to wait for budgets to be passed, surveys to be made, political wheelings and dealings ... for it takes no money ... It takes no compromising to give the people their rights. It takes no money to respect the individual. It takes no political deal to give people freedom. It takes no survey to remove repression.
You have some great films every year, but for the most part, no one is making films with heavy messages or themes. People are afraid of doing that.
Educating children and their parents on the universal messages of free enterprise and self-determination takes money. So does grooming political talent within the community and training and hiring Latino surrogates to bring the message to Spanish- and English-speaking media.
I have a very strong political outlook, and that is something I'd like to take more responsibility for in my life. I don't believe in utilising certain aspects of the power I have with celebrity to push that forward, but I would like to make some films that address some of those political issues.
I'm not a political person; I'm not an activist. I'm not a guy with strong beliefs about anything. I have nothing to say to the world.
We've got a great team of editors, that's true. And we work hard so that when we do the couple of takes that they're good takes hopefully. Not always, that's for sure; there are lots of bad ones, but we try to work hard. Clint Eastwood doesn't more than one or two takes in his films. And he makes some good films.
I want to make films that are political and social. Films with a message or an idea. Films that dare to ask.
We are what we have been told about ourselves. We are the sum of the messages we have received. The true messages. The false messages.
All films are political, whether they mean to be or not. Star Wars is political. As soon as you have conflict, which is the key to most films, you have politics. It's just that some are more artful with the handling of politics than others.
This site uses cookies to ensure you get the best experience. More info...
Got it!