A Quote by Ewan McGregor

I played music all through school and I kind of performed that way. — © Ewan McGregor
I played music all through school and I kind of performed that way.
Besides music, I was all school, school, school. And softball. I played the game since I was four, and I wanted to go to the Olympics for softball. I got a full scholarship through softball.
I've played drums since I was 15. My sisters and I all played instruments. I kind of started with piano and then I actually played saxophone with a jazz band in middle school. So, any knowledge I had of jazz music was from playing alto-sax back then.
I studied music at school and played the recorder. Later in life music was a great way of supplementing my income because I was paid really badly as a young chef. Luckily an old friend - we did music at school together - and I formed a duo, The Calypso Beat, which later became the Calypso Twins.
There was this kind of dictatorship of the Darmstadt school, composers like Boulez and Stockhausen, who were very strict and orthodox. They would not allow other composers to write the music they wanted to write, and only a certain kind of music could be played.
The basic difference between classical music and jazz is that in the former the music is always graver than its performance - whereas the way jazz is performed is always more important than what is being played.
In retrospect, I think I had some kind of learning disorder. I could kind of charm my way through grade school, but in high school... I could never seem to grasp things.
In middle school, I played quarterback. I was at a tiny school, so you played offense and defense - I played linebacker, and in high school I stopped playing around my sophomore year because of my acting stuff.
I played a bee! It was a Polish fairy tale we performed at school when I was seven or eight. I had wings fixed to me.
Zazen's music is composed in other dimensions and it is played by some of my students. I go through the music they have played with my aura and wash out anything impure.
I was in band all the way through high school, and I played in jazz competitions all across Iowa.
Music was fundamental in my family. Sang at bars, all the way to church on Sunday. Music in school, played guitar pulls at the house, go to other people's houses and break out the guitars, it was fun. It was always there, I've just been a part of it.
I've been enjoying showing the music I perform to these people who have not heard it before. I think it's kind of interesting in a scientific kind of way. I don't mind either way the outcomes of the shows I've played, I just genuinely find it interesting seeing people's reactions.
A great piece of music is beautiful regardless of how it is performed. Any prelude or fugue of Bach can be played at any tempo, with or without rhythmic nuances, and it will still be great music. That's how music should be written, so that no-one, no matter how philistine, can ruin it.
I became a professional musician and played all kinds of music. I played bluegrass, I played classical music, and for many years, I played jazz.
There are only so many instruments you can layer on top of each other that aren't perfectly electronically programmed. "Long Vermont Roads" just cannot be performed live, because it's just too cluttered if it's played by humans. Synthesizers stay out of each other's way in a way that hand-played instruments never can.
There's such a currency to Led Zeppelin, or the members of Led Zeppelin. If I put it to you this way, on the run-up to the O2 concert, the only music that we played was music of Led Zeppelin - the past catalog stuff; that's what we played on the way towards shaping up the set list for that. But we played really, really well.
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