A Quote by Ewan McGregor

Once you've agreed the script, you must be willing to go as far as it needs to go on set. — © Ewan McGregor
Once you've agreed the script, you must be willing to go as far as it needs to go on set.
The notion that the campus has its hands tied if a woman is not willing to go to the police, if the woman is only willing to go so far as, "I just don't want to see him in my dorm anymore," is ridiculous. If that's as far as she's willing to go, then we need to accommodate that. And a university needs to be able to accommodate it.
Once you become very powerful and advanced, you must be willing to go back to school and start over, and go to a wise person who will show you the way. Very few people are willing to do that.
If you're not willing to go too far, you'll never go far enough in life.
I go out there and live or die by the sword and I'm willing to put the work in that needs to be to obtain the goal that I set out to do.
All writers must go from now to once a upon a time; all must go from here to there; all must descend to where the stories are kept; all must take care not to be captured and held immobile by the past.
To be a good director, you have to spend a lot of time on actual sets, but today, there's a lot of people who spend a lot of time in dark rooms writing a script, and they'll go in and tell the story to some suit at a studio who says, 'Okay, this is great, let's go.' But that doesn't necessarily mean you know what to do once you're on set.
If a player needs money, and that's a decision he's willing to make to go to college based on name, image and likeness, where he can make more money instead of where he wants to go to school, why don't we give him the choice to go to the NFL if he's ready to go and if the NFL wants him to go? Basketball has done it for years.
We are not required to go through [Jesus'] trials, but we are required to be willing to go through them. To prove that we are willing to do so, we must go through our own trials and remain faithful.
For me, I just like to be as fun as possible, but I do like to bring a lot to a character. Given the script or the show, I know my boundaries, limits, and how far I can go with it. As far as me choosing these characters that have a lot of personality, I don't necessarily think it's intentional. I just think that I try and come up with a backstory of who they are, depending on the script or how rounded these characters are, and just go from there.
How far we all come. How far we all come away from ourselves. So far, so much between, you can never go home again. You can go home, it's good to go home, but you never really get all the way home again in your life. ... whatever it was and however good it was, it wasn't what you once had been, and had lost, and could never have again, and once in a while, once in a long time, you remembered, and knew how far you were away, and it hit you hard enough, that little while it lasted, to break your heart.
If war stems from unmet needs related to male adolescent ritual, that's something that we need to examine. I'm interested in the possibility of simply getting rid of war. I'd be no more willing to let go of that than to let go of the possibility of eradicating cancer. That's not to say I'm certain we can, but I am willing to use any energy at all in the quest.
I was told once that I didn't play the Hollywood game, and that's why I wasn't a big star. What they meant when was that I don't go to parties, and when I go to an audition and I don't like the script, they know it
I was told once that I didn't play the Hollywood game, and that's why I wasn't a big star. What they meant when was that I don't go to parties, and when I go to an audition and I don't like the script, they know it.
Once rehearsals are done the writer really doesn't have a function on the set. If the script is stabilized, then the writer becomes a celebrity tourist visiting the set, trying not to get in the way. It's very good for the ego, to go visit a film set if you are the writer, because they give you a special chair, and tell you where you can sit to watch the monitor. They make you feel special, but at the same time, they make it perfectly plain that you are irrelevant!
Artists of all disciplines must be willing to go into the dark, let go control, be surprised.
If I read the right script, if that script needs $5 million, if that script needs $50 million, I don't care. If I read a project that's beautiful, that I really want to make, whatever it needs, it needs.
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