A Quote by Ewan McGregor

I'm lucky enough that financially I don't have to feel obliged to go for the bigger stuff. I like the stories and scripts to dictate if I want to do them. — © Ewan McGregor
I'm lucky enough that financially I don't have to feel obliged to go for the bigger stuff. I like the stories and scripts to dictate if I want to do them.
I get a trickling few scripts that I'm lucky enough that some of them are great. I don't get loads of scripts.
I don't really feel like I done made it all the way. I feel like, 'OK, we did this. Then we grinded enough to get to this point. Now we gotta grind enough to get bigger and bigger,' you know?
Our vision is to break the projects into stories that must be told, stories that we would like to tell and stories that people go to movies for. If we can find great scripts that fit these three categories, we will go out and make a movie.
I feel very lucky and privileged to be a writer. I feel lucky in the sense that I can branch out into prose and tell different kinds of stories and stuff. But being a writer is so great because you're literally not dependent on anybody.
I feel very lucky and privileged to be a writer. I feel lucky in the sense that I can branch out into prose and tell different kinds of stories and stuff. But being a writer is so great because youre literally not dependent on anybody.
I think we have a long way to go in the entertainment industry, particularly in movies, but I feel like in television, there's somebody is finally saying, 'Hey, women have stories to tell, and oddly enough, women want to hear them.'
I enjoy stories about thin women - I read them frequently. I enjoy them; I root for those characters, but I always feel like there are enough of them out there and there are enough of them in the spotlight.
I think ultimately what you really want is a few people within any label that are into the band enough to really work on it every day for a long time and to actually try a little bit. But obviously, the major labels have more money to spend, so if they feel like spending it, they have bigger resources there when you need them. It doesn't always necessarily translate into them doing a better job for a band, but I think especially if you're playing the game of commercial radio and making videos and stuff like that, that's sort of an expensive proposition.
I want it to be one-sided. I don't want to take any bumps or bruises: I want to go out and dictate all aspects and go out the way I came in. I'm looking to dominate and dictate.
When I started, the scripts weren't as good, and you'd have to have a huge burst of energy to go, "Sheesh, how am I going to? This stuff's no good." So you'd have to improvise something or create something or try to work with the ware and try to figure out, how do you make this visually and orally acceptable, entertaining? Nowadays, the scripts are just so much better, that you don't have to feel that way. You feel like the script's coming to you, you can just relax. You don't have to drive the boat.
Let's say financially. Financially, I personally believe that you should have enough to do the assignment that you feel is part of your life. And whatever that is to do, you're going to need.
I just feel so lucky to tell stories and make up stories and share them with people.
I realize what it means to be financially comfortable, and I want to be that. But I'm lucky enough to be in that position. And I'm also careful. I save 38 percent of my earnings after expenses, before taxes.
I want to feel lucky every night when I go onstage, and not feel like, 'Oh, great, here we go again.
I do think that there are certain parts, if you are lucky enough to play them, that are bigger than you, and they stretch you. I don't think you become a bigger person, but you develop certain muscles you didn't have before.
I've got my own TV stuff on the go, and it's all a bit oddball - it's one-offs, and I can do what, when, and how I want it, really. I don't have any scripts or people telling me to do stuff twice.
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