A Quote by Exene Cervenka
I don't surround myself with anybody, really. I have friends, but I'm kind of an isolationist now. I kind of work on my own.
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For me, I just set little goals for myself and stay on that kind of track and surround myself with positive people along with my teammates. I just kind of have my goals and my dreams, and this is something that we've all been working for our entire lives, so it is kind of easy to wake up and want to better myself every day towards that goal.
It would have shown people that I was prepared to do that kind of work, although I find myself in a position now where I don't really need to and I could pick and choose the kind of characters I'd like to do.
It's very important for me to really use this body as a barometer of a certain kind of knowledge--to take the personal risk of exposing my own body in a certain kind of way. I can't ask anybody else to do something that I don't do first myself.
But more than anything I kind of pride myself in continuing the process that we're trying to accomplish, and that's just to get better and work on my fundamentals. So that's been kind of in the theme now for a couple years and we stuck with it and that's kind of what I want to keep doing.
I go to a meeting every day. I surround myself with people who don't use. I recently got back from Ozzfest and I caught myself in kind of a sticky situation where I was around a lot of people using, drinking and it was kind of - I didn't have the urge to use once, but I just knew I shouldn't have been there.
I actually don't preoccupy myself with 'I'm going to do this kind of rap in this kind of genre' kind of thinking when I work.
Whenever you show up on a set where you haven't been from the beginning - at least myself - I'm kind of quiet. I just watch the politics and how everything unfolds. It's kind of like going to a new high school. You want to see who everyone is before you introduce yourself, really, to kind of make friends. I think any smart person does that in social situations
That first match there in Dallas for the G1 was the first time they'd really seen me work as a singles competitor in a really long time. This was kind of a coming-out party. I took it as an opportunity to really kind of reinvent myself. And really start the journey that is The Murderhawk Monster.
I really love acting. I really do. I really just think of myself like a working woman. And I just go from set to set and work. You have to promote a movie; you have to work. People are going to have opinions and it's weirdly very easy to kind of block out the world because you have your own.
I finally feel like I have enough of the tools to be able to really set the tone for myself with the kind of work I wanna do and the kind of process I wanna have.
There is a marvelous peace in not publishing. It's peaceful. Still. Publishing is a terrible invasion of my privacy. I like to write. I live to write. But I write just for myself and my own pleasure. I don't necessarily intend to publish posthumously, but I do like to write for myself. I pay for this kind of attitude. I'm known as a strange, aloof kind of man. But all I'm doing is trying to protect myself and my work.
I think I probably am doing animation because I started as a kid and I learned on my own, and I worked by myself a lot. It's the only thing I really prepared myself to do in any kind of depth. And I've just kind of imbibed the technology and techniques and the thinking about telling stories this way. It just feels natural to me.
I'd always thought of myself as an open-minded person. I had no patience with anyone who put down other kids because of their race, religion, or sexuality. But that's just one kind of open-mindedness. There's another kind, too, the kind that's willing to see people for who they really are and admit when you were wrong about them. That's the part I still need to work on.
The kind of work that should be the main part of life is the kind of work you would want to do if you weren't being paid for it. It’s work that comes out of your own internal needs, interests and concerns.
If you decide to go on a Buddhist path, you have to be careful if you start mixing a lot of different traditions you are not totally familiar with - mixing this kind of meditation with that kind of practice or this kind of visualization with that kind of mantra. Then you really are concocting your own thing, and you have no idea what is going to happen.
Art movements are always linked to some kind of turmoil. We can look at history and see that [political turmoil is] fertile ground for art. I also think that it gives artists something, a way of kind of processing. My friends and I have all been super motivated to work and to do the work that we need to and want to and think should be in the world. Hard times are really a fire under your ass to prioritize and think, "Okay, how can I challenge myself to put something in the world that wasn't there that can reach other folks and help them to process"?
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