A Quote by Eydie Gorme

A lot of the really great stuff fell between the tracks. — © Eydie Gorme
A lot of the really great stuff fell between the tracks.
I work with a lot of production that's really positive and contains a lot of soul stuff. Those instrumentals project the happiness out of me. But, sometimes I get a darker beat, with some dark piano or something... and then I'll do darker tracks.
I really thought the process and what I'm used to doing on film would be different. I thought that because I wouldn't have the same amount of time, I wouldn't do all of the tracks that I like to do or the lighting that it takes. And then, I got there and realized that I don't know any other way. I just do all that stuff really, really fast and under a lot of stress.
'Shine On You Crazy Diamond' and 'Wish You Were Here' are standout tracks. 'Comfortably Numb' is another one. 'High Hopes' from 'The Division Bell' is one of my favorite all-time Pink Floyd tracks. 'The Great Gig in the Sky,' 'Echoes,' there's lot of them.
The Trump phenomenon has a lot of really good stuff in it, the anti-elitism, the concern for America's economy in the Rust Belt, the desire to see better days for the country. That's all great stuff. Some of that stuff is Bernie Sanders stuff. The problem is that it's marbled through with xenophobia and misogyny and bigotry.
I'm always making tracks. I find that when you make tons of tracks, you stumble upon genius. You can't always turn the drum machine on and right away there's a hot track. Sometimes you luck out. But it can take a lot of time between thinking about the artist, listening to music for inspiration or going to clubs.
I think Taj and Nina were better friends, because they get along, they have a lot of fun and they laugh. But it seems that Nina and Jack really hit it off. Nina really fell in love with Jack. there's a lot of chemistry between them!
I record a lot of stuff on my phone when I'm out and about and regularly use the recordings in my tracks.
Madisyn [Shipman] was great. She's a really talented kid. We got along great. It was fun, in between scenes, I'd pull out my iPod and show her different old rock 'n' roll and punk stuff, and she was really into it.
Anyone who's been reading my stuff can see that there's a lot of tracks being laid for future stories.
I hate click tracks. A lot of people I know like to use click tracks. Like my son is perfect on the click tracks. It makes me to edgy.
I like the sensibility of Australian film a lot and the crews are fantastic. Great characters, wonderful people and no line between - I think in Hollywood they have this line between actors and crew a lot, and that just didn't exist, which I really appreciated.
For about seven years. I really like it there. There are a lot of great musicians. The scene is very open. A lot of stuff going on. People's ears are really open, they are not closed. A lot of scenes here, people just get tunnel vision and are into one thing.
If you go to a really great shop that stocks really great stuff and it doesn't makes it feel like a super secret club there's tons of stuff to find all way time.
I'm a huge fan of The Chemical Brothers and the Ninja Tune label and a lot of the stuff that they put out like DJ Shadow but I think, out of all of them, Leftism really just excited my musical brain in terms of the way that they mixed real instruments with dance tracks.
I like my stuff 'cause I only ever end up with tracks that I really, really like. It always appeals to me.
Acting is probably the greatest therapy in the world. You can get a lot stuff out of you on the set so you don't have to take it home with you at night. It's the stuff between the lines, the empty space between those lines which is interesting.
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