A Quote by Eyedea

Kentucky Gag Order is a great band, there's stuff here and there that you catch that is cool. — © Eyedea
Kentucky Gag Order is a great band, there's stuff here and there that you catch that is cool.
Trying to make it and get people to respect your band, being a cool band-all of that stuff-I think we've arrived at a place where we have kids and everything is in perspective and it doesn't matter.
Well, a sort of epiphany: I was in a great band. And it's very cool to be at 53 and realise that when you were a kid you were in a great band.
You know, I went through the whole blond hair bit. And dad took me to see The Police when I was 13. And I was like, this is a cool band, dad. See this is a cool band. And I felt bad for years because then a year later... I never had a chance to tell him how great I think was. After he passed away, I would go and listen to his music.
I was in bands as a singer-guitarist-songwriter until 1980-81. So, there's a bunch of stuff. A lot of the stuff is hard to come by-stuff by the Special Interest Group and the Zobo Funn Band. The Zobo Funn Band was a big Northeast cult band. We had about a billion skirmishes with the big rock industry.
What's cool about indie rock is that one band can do effectively the same thing as another band, and one band nails it, and the other one doesn't. I like that elusiveness.
I do not favor the gag order.
There's a lot of discussion about whether you should be a good live band or a good studio band. I think you can use the studio to make a great "studio record" and not necessarily have to reproduce exactly that on stage, but still be a great "live band." Having said that, if what you're going for is just the raw capture of your live sound, then that's cool, too - go for it! I enjoy working in the studio, though, and while I try to get near to an approximation of what's going on onstage, it's not my first priority usually.
I take with me Kentucky, embedded in my brain and heart, in my flesh and bone and blood. Since I am Kentucky, and Kentucky is part of me.
Modeling stuff is cool - obviously you get to travel and wear cool clothes, take cool pictures, meet cool people - but for me, acting is a lot more creatively fulfilling, so I've always put it first.
When I was growing up, until I was 18 or 19, I was totally invested in the classical music world. I had no concept of anything else. The closest thing to a cool band I listened to was Radiohead. Radiohead were the only band I liked in high school. I was just obsessed with classical music, opera, Claude Debussy, and that kind of stuff.
There were certain things I couldn't do with New Order without upsetting the rest of the band, so I started to write some solo stuff.
Ever since I was a kid, I've been into clothes, but not really labels- that's kind of only been in the last year or so. It's something I've always cared about. I used to just constantly thrift and make stuff and cut stuff up and borrow my dad's stuff and borrow my little brother's stuff and all that jazz. ... It's just, if something is cool, then it's cool.
We are a band that stylistically crosses a lot of barriers and generational gaps. The heavier portion of the band, the modern music elements, the visual part of the band appeal to a younger audience. For an older audience, we have chops and great songs that are reminiscent of the things that were great about rock and roll when they enjoyed it. We're the kind of band that can cross those lines.
In the name of religious freedom, relativists have banished religion from the public square. They say they have to destroy public displays of religion in order to protect it. They response has been a culturewide gag order on Christianity in governmental and even commercial circumstances.
Artists thrive off each other, and when you see other people doing cool stuff, it inspires you to do cool stuff.
If someone drops a catch, and I get angry, will that catch come back to us? It won't. Therefore, it is better to be cool, because that helps in better performance.
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