A Quote by Eyedea
The stress that we [with Abilities] always feel is trying to continue advancing with our music. That's our plight, it's ingrained in our personalities. We feel like we're trying to race the world of music itself - just trying to create the best music, and as soon as we get done with one piece we're trying to figure out how to top it.
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I was trying to uphold what I thought feminism was as best I could by supporting women, by trying to create an opportunity to get women to get together, play music together and celebrate the fact that we are having great success making music on our own and together.
We think we need to create ourselves, always doing a paste-up job on our personalities. That is because we're trying to be special rather than real. We're pathetically trying to conform with all the other people trying to do the same.
When I sit down to make music, I try to enter a flow; I always open a blank session and just make something that I feel like making. Only after a piece of music is done does my frontal cortex allow me to organize what might be trying to come out of my subconscious.
We are trying our best to spread the culture of Punjabi music all over the world. With the traditional rigid Punjabi music, people always had a myth that the music is very conventional, but nowadays, we are really thrilled to see how people are loving the tunes and beats of Punjabi music.
Through the music and words we, as the band The ex, express our thoughts and opinions and ideas. It is not always totally necessary for our audience to clearly hear and understand every line I sing. The power and impact, the positive energy of the music are as much part of the whole thing as the words. We are not trying to convert people, but we believe in our music and like to play it in front of other people, hoping that we can get them as excited as we are about our music.
You're creating music to pull people into a world, whether it be a visual medium where music is just one element, or a purely musical medium. Either way, you're trying to transport people and to create a connection. I've always felt that the best films and the best albums can be the best company. If people feel a little bit less alone because of something I had a hand in creating than I feel like I'm contributing to the world in a positive way.
For our family, the entire structure of our life, our home, our business relationships - the entire purpose is for everyone to be able to create in a way that makes them happy. Fame is almost an inconsequential by-product of what we're really trying to accomplish. We are trying to put great things into the world, we're trying to have fun, and we're trying to become the greatest versions of ourselves in the process of doing things we love.
Even when I'm not onstage singing, there's always music going on in my head. It's a curse and a blessing in a way - it's sitting in bed at night, trying to go to sleep, while the music keeps playing in your head - especially when you're trying to learn something new and you're trying to memorize it and get everything.
I feel that for years of teaching in the country and reading criticism in books, I feel like the things most needed in our culture are the understanding of the meanings of our music. We haven't done that good of job teaching our kids what our music means or how we developed our taste in music that reminds us and teaches us who we are.
It took us two years to get our first real gig. That was a big dream. We ended up booking a lot of our own gigs and putting on a lot of our own shows. We were trying to get our actual music across, trying to make a connection there.
At WSX I think I was very much trying to figure it out on my own and we were creating our own style and our own thing. I can only speak for myself, I was not trying to be anything. I was not trying to be like anyone else.
I think we get on with living our lives like everybody else does. Where we're at in music is trying to explain what's going around us either directly or by analogy and trying to create a parallel, an analog, sometimes musical, sometimes dramatic, that might be truthful.
I'm not out there trying to change the world. I'm just out there trying to sing country music the best way I can.
Grunge, like Nirvana and all that. Heavy metal, Iron Maiden, Metallica, Guns and Roses, drum and bass. I like to listen to it and try and break down what makes a fan of that music say 'Ah fuck that other music', do you get me? Trying to figure out what makes them tick, I always try and break that down with every piece of music. But the energy in that music, I love it.
One thing that I've always tried to do is create lifts - the moment that you have a rush of feelings. That's always something that I'm trying to communicate in music, and particularly the style of music that I write for Japanese Breakfast: I'm always trying to build things up into each other.
I think our culture right now is a culture that's trying to find itself. They're trying to figure out what is it? Is it social media followers? Is it trying to be popular? Is it money? Is it fame? Is it power? They're searching for identity and so many of us have been there, and we'll get back to that place of what is our identity? Who are we? More importantly, whose are we? For me, I find my identity in a relationship with Christ.
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