A Quote by Eyedea

I'm a live wire in a dead world. — © Eyedea
I'm a live wire in a dead world.

Quote Topics

The Last American Man by Elizabeth Gilbert... I don't live inside buildings because buildings are dead places where nothing grows, where water doesn't flow, and where life stops. I don't want to live in a dead place. People say that I don't live in a real world, but it's modern Americans who live in a fake world, because they have stepped outside the natural circle of life.
I'm friends with a lot of Brits, and they tell me when they're over here what a huge phenomenon 'The Wire' has become. Some things just attain critical mass after they're already dead and buried, and I don't know why it was the case with 'The Wire'.
Who knows if to live is to be dead, and to be dead, to live? And we really, it may be, are dead; in fact I once heard sages say that we are now dead, and the body is our tomb.
I was born in a world of opera, theatre, films, poetry, art, and therefore, out of the wire, I made a stage. That's why they call me a high wire artist.
To become conscious of this power is to become a 'live wire.' The universe is the live wire. It carries power sufficient to meet every situation in the life of every individual. When the individual mind touches the universal mind, it receives all its power.
It would be very, very dangerous for a wire walker to experience fear while he is balancing on the wire. Fear has its place on earth, before and maybe after a high-wire walk, but not during for me.
You will live as you live anywhere. With difficulty, and grief. Yes, you are dead. And I and my family and everyone, always, forever. All dead, like stones. But what does it matter? You still have to go to work in the morning. You still have to live.
There was of course no way of knowing whether you were being watched at any given moment. How often, or on what system, the Thought Police plugged in on any individual wire was guesswork. It was even conceivable that they watched everybody all the time. But at any rate they could plug in your wire whenever they wanted to. You had to live-did live, from habit that became instinct-in the assumption that every sound you made was overheard, and, except in darkness, every movement scrutinized.
Parents wrongly assume that their daughters live in a world similar to the one they experienced as adolescents. They are dead wrong. Their daughters live in a media-drenched world floded with junk values. As girls turn from their parents, they turn to this world for guidance about how to be an adult.
Goth is dead, punk is dead, and rock n' roll is dead. Trends are dead. Nothing exists anymore because the world is spinning faster than any trend.
The very first thing I ever did, I was doing some work for the French Cultural Center. They wanted a little recording set up. And I got wire. A wire recorder. The wire came off spools, and to cut and edit, you tied it together in little square knots. Can you imagine?
I certainly do have this feeling of affection for the absolute sense of intellectual freedom that exists as a live nerve, a live wire, right through the center of American life.
Streets teemed with hell's wretched souls. New dead with their gadgets and old dead from antiquity. Demons roamed the avenues and alleyways, tormenting hapless damned at random with branding irons, flaming pitchforks, and razor-wire whips. -From the story Remember, Remember, Hell in November, in the anthology, Lawyers in Hell.
It will do us little good to wire the world if we limit our vision. It will do us little good to wire the world if we short circuit our souls.
Words from the past: "It's a clever idea, Mr. Bell, but don't wire us, we'll wire you.
In the Twentieth Century war will be dead, the scaffold will be dead, hatred will be dead, frontier boundaries will be dead, dogmas will be dead; man will live. He will possess something higher than all these-a great country, the whole earth, and a great hope, the whole heaven.
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